Afro-Cuban All Stars

Afro-Cuban All Stars Biography

Juan de Marcos González is one of the most important figures in Cuban music today. He has a mission to show the world the wealth, diversity and vitality of Cuban music. His work with the Afro-Cuban All Stars, the Buena Vista Social Club, Rubén González, Ibrahim Ferrer, Sierra Maestra and others has made an extraordinary contribution to raising the profile of Cuban music throughout the world. However, neither his name nor his crucial contribution is well known to the general public and he remains something of an unsung hero of Cuban music.

González was born in Havana in 1954 and grew up surrounded by music (his father was a singer and played with Arsenio Rodríguez amongst others). At university he studied hydraulic engineering and Russian before working as a consultant at the Agronomic Science Institute, gaining his doctorate in 1989. While at university he co-founded the group Sierra Maestra in 1978. Styled as a traditional Cuban septeto group (tres, trumpet, bass, percussion and vocals), the dynamic young band's aim was to bring about an appreciation of Cuban son by the youth of the island. The band achieved great success, recording fourteen albums in Cuba, touring Africa and Europe and receiving various awards.

In 1994, González began his association with the London based record label World Circuit, when the band recorded the album '¡Dundunbanza!' (WCD041). For this recording, World Circuit's Nick Gold encouraged the group to expand their line-up to include piano, congas and a trumpet section in a tribute to the forties and fifties styles of Arsenio Rodríguez. Having found success and a common ground González and Gold looked to develop this understanding further with a big band recording in Havana, featuring the neglected stars of this 'golden age' of Cuban music.

González had long harboured a dream to put together a band combining the 'old masters' and the new generation of Cuban musicians. "I wanted to mix the generations so there is the experience of the older guys and the energy of the younger players", says González. He went in search of his heroes and found many of them 'retired' from music, forgotten figures delighted that someone was showing faith in them. He recruited the singers Manuel 'Puntillita' Licea, Pío Leyva and Raúl Planas, all in their seventies. Despite the doubts of others in his ability to still reach the heights, he approached the legendary pianist Rubén González. Rubén did not own a piano, so González found him a place to practice and encouraged him to rehearse with his chosen bass player, Orlando 'Cachaíto' López. González continued to assemble his dream band and the AFRO-CUBAN ALL STARS were born.

González and Gold planned to record two albums in Havana's EGREM studios in 1997: the debut from the All Stars and a collaboration between West African and Eastern Cuban musicians for which Gold had invited Ry Cooder as producer. Due to passport complications the African musicians were unable to travel to the recording. However, the two week recording trip yielded an extraordinary trio of albums: The debut albums from the AFRO-CUBAN ALL STARS 'A Toda Cuba le Gusta' and RUBEN GONZALEZ' 'Introducing...' and the BUENA VISTA SOCIAL CLUB.

The All Stars album was the first to be recorded and González's band provided both the springboard and many of the musicians for the Buena Vista album that followed. The All Stars' rhythm section was retained a .... Click here to read the full bio on DISCOGS.

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