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The Afters Biography
Every year, scores of new artists get pegged as “The Next Big Thing.” Few live up to the hype. Some exceed it. Even before their album hit streets, The Afters were generating a positive buzz in the Christian music scene and beyond—buzz their debut album lives up to.
Consider: The band is the first signing on Simple Records, launched by MercyMe’s Bart Millard and producer Pete Kipley in cooperation with INO Records. They were the opening act for MercyMe and Jeremy Camp’s Undone Tour hitting 40 cities in Spring 2005, and veteran Brown Bannister and up-and-comer Dan Muckala produced their album. Their debut project was released on Epic to the general market simultaneously with the Christian release.
But it hasn’t happened overnight for these Dallas-ites. The foursome has spent seven years as an indie act, honing their Smashing Pumpkins-meets-Coldplay style rock as the house band at Dallas’ legendary hotspot The Door. They consistently packed out that club, drawing 800 plus fans to their monthly gigs and sold more than 25,000 units of their indie project. The band’s lineup includes Josh Havens on vocals, keys and guitar, Brad Wigg on bass and vocals, Marc Dodd on drums, and Matt Fuqua on guitars and vocals.
Havens and Fuqua came together to play for a missions conference at Dallas Theological Seminary. After their show earned a positive response, they graduated to a club show. They later added Wigg, who had fronted a blues band, and Dodd, who worked with the guys at Starbucks.
The band first came to Millard’s attention when they opened for MercyMe at a Halloween show in 2001, recalls Fuqua. They made an instant impression on Millard, who says, “I was really nervous to follow them because they were so amazing. They’re one of the best live bands I’ve ever seen.” Accordingly, The Afters, formerly called Blisse, were hotly sought after by several established Nashville labels when Millard came calling. Months later, they ended up signing with him.
“As a band, they represent everything we desire to be about as a label,” says Millard. Says Havens, “We really clicked with Pete and Bart. Their vision for us musically really lined up, and because they were both artist and producer, they saw more what we saw.”
Their debut, I Wish We All Could Win, draws its title from track “Someday.” Josh Havens says, “It’s about somebody close to me who turned their back on the truth. You know, we’re all in this race. We’re all trying to figure out why we’re here, and ultimately when we get to the end, there are winners and losers. I wish we all could win.”
Havens’ father passed away in November 2004, and his death after a long illness brought home to him that the brokenness we experience was not the way the world was intended. “We were not created to die, to face these things, but when we die and receive God’s grace, we’ll be restored to the way He intended it to be,” he says.
Speaking about the chiming first single, “You,” Havens said, “We should not find our identity in things of the world, but rather in Christ. If we live with Christ in us, He will give us confidence, strength and love. In difficult times, we can feel safe and secure knowing that our lives are in the hands of the very One who created us. And His love for us is greater then our minds will ever comprehend.”
Among other highlights on the album are the driving opener “Beautiful Love,” which is currently #30 on the mainstream HAC Chart, along with the blazing rocker “The Way You Are,” with its clever wordplay.
Says Havens, “We want to encourage our listeners and ourselves to live our faith out in the world every single day—not talk about it, but back it up with our life. I hope we encourage people to live for something greater than themselves.”
Consider: The band is the first signing on Simple Records, launched by MercyMe’s Bart Millard and producer Pete Kipley in cooperation with INO Records. They were the opening act for MercyMe and Jeremy Camp’s Undone Tour hitting 40 cities in Spring 2005, and veteran Brown Bannister and up-and-comer Dan Muckala produced their album. Their debut project was released on Epic to the general market simultaneously with the Christian release.
But it hasn’t happened overnight for these Dallas-ites. The foursome has spent seven years as an indie act, honing their Smashing Pumpkins-meets-Coldplay style rock as the house band at Dallas’ legendary hotspot The Door. They consistently packed out that club, drawing 800 plus fans to their monthly gigs and sold more than 25,000 units of their indie project. The band’s lineup includes Josh Havens on vocals, keys and guitar, Brad Wigg on bass and vocals, Marc Dodd on drums, and Matt Fuqua on guitars and vocals.
Havens and Fuqua came together to play for a missions conference at Dallas Theological Seminary. After their show earned a positive response, they graduated to a club show. They later added Wigg, who had fronted a blues band, and Dodd, who worked with the guys at Starbucks.
The band first came to Millard’s attention when they opened for MercyMe at a Halloween show in 2001, recalls Fuqua. They made an instant impression on Millard, who says, “I was really nervous to follow them because they were so amazing. They’re one of the best live bands I’ve ever seen.” Accordingly, The Afters, formerly called Blisse, were hotly sought after by several established Nashville labels when Millard came calling. Months later, they ended up signing with him.
“As a band, they represent everything we desire to be about as a label,” says Millard. Says Havens, “We really clicked with Pete and Bart. Their vision for us musically really lined up, and because they were both artist and producer, they saw more what we saw.”
Their debut, I Wish We All Could Win, draws its title from track “Someday.” Josh Havens says, “It’s about somebody close to me who turned their back on the truth. You know, we’re all in this race. We’re all trying to figure out why we’re here, and ultimately when we get to the end, there are winners and losers. I wish we all could win.”
Havens’ father passed away in November 2004, and his death after a long illness brought home to him that the brokenness we experience was not the way the world was intended. “We were not created to die, to face these things, but when we die and receive God’s grace, we’ll be restored to the way He intended it to be,” he says.
Speaking about the chiming first single, “You,” Havens said, “We should not find our identity in things of the world, but rather in Christ. If we live with Christ in us, He will give us confidence, strength and love. In difficult times, we can feel safe and secure knowing that our lives are in the hands of the very One who created us. And His love for us is greater then our minds will ever comprehend.”
Among other highlights on the album are the driving opener “Beautiful Love,” which is currently #30 on the mainstream HAC Chart, along with the blazing rocker “The Way You Are,” with its clever wordplay.
Says Havens, “We want to encourage our listeners and ourselves to live our faith out in the world every single day—not talk about it, but back it up with our life. I hope we encourage people to live for something greater than themselves.”
The Afters All Music Guide Biography
Formed in 2000 by four Starbucks employees in Mesquite, TX, the Afters are an alternative CCM rock outfit originally known as Blisse. Under their original moniker, members Marc Dodd (drums), Matt Fuqua (guitar and vocals), Josh Havens (vocals and guitar), and Brad Wigg (bass and vocals) released an EP and an album (2001's When the World Is Wonderful) before finding out that there was another Blisse out there, and subsequently changed their name to the Afters. After making a name for themselves in the Dallas music scene, the Afters scored a deal with Epic and released their major-label debut in 2005, entitled I Wish We All Could Win. The album was a hit on the Christian charts, making it to the Top 25. In 2006, the band went back into the studio to record its follow-up, Never Going Back to OK, which was slated for release in February of 2008. ~ Chris True, All Music Guide
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