Catherine Howe Biography
Howe trained as an actress at the Corona Drama School in London. She commenced a successful acting career in the late 1960s, performing in contemporary television dramas such as Z Cars, The Wednesday Play, Doctor Who and Dixon of Dock Green. Howe went on to appear in Barney Platts-Mill's film Private Road. In 1970, Howe met Andrew Cameron Miller, an executive at Reflection, a subsidiary of CBS Records, and as a result recorded her debut album What A Beautiful Place at Trident Studios in London, in February 1971. Miller paired Howe with Bobby Scott, an American pianist and record producer who had previously co-written the Hollies' He Ain't Heavy, He's My Brother. However, Reflection ceased to trade when the album was on the point of release, and as a result it remained largely unheard until it was reissued in 2007 on the Numero label. The re-release met with universal critical acclaim; extraordinarily, for a debut album, gaining a five-star review from Observer Music ('could be Dusty Springfield covering Joni Mitchell...'). This is even more remarkable considering the master tapes were by then lost; with the re-recording made from an original source copy. The vinyl print remains the holy grail of record collectors, selling for over £1200-. Howe featured on soundtrack recordings in the UK and Europe throughout the 1970s, and provided the lead vocal for Ennio Morricone's theme song Un genie, deux associes, une cloche OST - 1976. Catherine worked with the Italian jazz musician Piero Piccioni, recording two songs for his 1972 film God Under the Skin and singing in an Italian TV broadcast with Piccioni two years later. Howe's second LP Harry was released in the UK in 1975 on RCA, for which the title track received an Ivor Novello award (only the second female recording artist to achieve this). Such is its continued popularity that Harry remains available as a mobile phone ring-tone. Also in 1975, Howe appeared on film as the singer during the title credits of the notorious British sex farce, Jim Atkinson's Can You Keep It Up For A Week? The original song, crafted by the Ted Dicks/Hazel Adair team, seemed incongruous against the slap-stick comedy. RCA released a follow-up album, Silent Mother Nature in 1976, winning Folk Album of the Year from the Sunday Times. A single was released called Until The Morning Comes written by Scottish singer/guitarist Dave Kelly and Ray McRiner, and was performed on LWT's Supersonic. The following year, the title tracks of both RCA LPs were re-released (together with the aforementioned single) on the EP The Truth of the Matter and was one of the top 75 selling EPs of 1977. Throughout that year Howe produced and sang the song .... Click here to read the full bio on DISCOGS.