Franz Ferdinand

from Domino: Some time around the end of 2001, Bob was sitting in Alex's kitchen. Alex had just been given a bass by his friend Mick, on the condition that he did 'something useful' with it. "Do you want to learn to play the bass then, Bob?" "No, I'm an artist, not a musician." "It's the same thing." "OK then." So Bob learned the bass and they planned a band. It had to be something big. Bob wanted it to be on the level of Field Marshall Haig's tears that fell as he counted the statistics of the men he had sent over the top. Alex wanted to make music that girls could dance to. Alex met Nick in Jo and Celia's kitchen. Nick was dressed like a young Adam Ant and was stealing Alex's vodka. They were about to batter each other's brains in when Alex asked if he could play drums. Nick lied and said that he could. They agreed to meet up in Nick's South Side mansion. Nick could hit the drums, but not in any particularly coherent order. He was a classical pianist and double bassist and had come to Glasgow because a friend in Munich had said it was a laugh. Although he couldn't drum, he liked the idea of music for girls to dance to, and they found that they could write songs together. Paul was the best drummer in Glasgow, but nobody wanted to hear drums, now that 808s had been discovered. Paul had pawned his kit, but liked the idea of playing the guitar, so started coming down to Nick's South Side mansion. One day he and Nick swapped over, on the condition that Paul still got to sing and didn't have to use rack toms, as they stopped the audience getting a decent view of him. Girl Art was an exhibition organised by a group of students at GSA. They heard the plan for music that girls could dance to, so asked the boys to play their first gig. It was in Celia's bedroom which was lit by neon. At least 80 people watched and most of them danced. Nick and Alex decided that they needed somewhere bigger than Nick's South Side mansion to play music in. Hunting for real estate, they went for a walk along the disused railway line that crosses over Paddy's market and the Clyde. They discovered two things: that the line wasn't disused after all and a huge abandoned art-deco warehouse overlooking the Clyde. They tracked down the landlord, persuaded him to give them the keys to the 6th floor, christened it The Chateau and made it their home. TBC ... Lucy McKenzie asks if they'll play at her studio, they are charged with running an illegal bar and arrested at The Chateau, they take over Bridgeton CID Court and jail, then nip down to London for a few days to play and talk to some of the labels that want to put out their records...

Glasgow's art-damaged rock quartet Franz Ferdinand -- named for the Austro-Hungarian Archduke whose murder sparked World War I -- features bassist Bob Hardy, guitarist Nick McCarthy, drummer Paul Thomson, and singer/guitarist Alex Kapranos. In late 2001, Kapranos and Hardy had begun working on music together when they met McCarthy, a classically trained pianist and double bass player who originally played drums for the group despite no prior experience as a drummer. The trio had been rehearsing at McCarthy's house for a while when they met and started playing with Thomson, a former drummer for the Yummy Fur who felt like playing guitar instead. Eventually, McCarthy and Thomson switched to guitar and drums, and the band switched practice spaces, stumbling upon an abandoned warehouse that they named the Chateau.

The Chateau became Franz Ferdinand's headquarters, where they rehearsed and held rave-like events incorporating music and art (Hardy graduated from the Glasgow School of Art, and Thomson also posed as a life model there). The bandmembers needed a new rehearsal space once their illicit art parties were discovered by the police, and they found one in a Victorian courthouse and jail. By summer 2002, they recorded an EP's worth of material that they intended to release themselves, but word of mouth about the band spread and Franz Ferdinand signed to Domino in the summer of 2003. The group's EP Darts of Pleasure, which led some to label Franz Ferdinand "the Scottish Interpol," was released that fall, and the band spent the rest of the year supporting groups such as Hot Hot Heat and Interpol. Franz Ferdinand's second single, Take Me Out, arrived in early 2004. The single propelled them to greater popularity in the U.K. and laid the groundwork for the band's debut album. Franz Ferdinand was released in February 2004 in the U.K. and a month later stateside.

Franz Ferdinand's success followed them across the pond; "Take Me Out" became a sizable modern rock hit, in part thanks to the song's cutting-edge video, which earned the Breakthrough Video award at that year's MTV Music Video Awards. The group's momentum continued with the release of the Michael single and their Mercury Prize win over such artists as the Streets, Basement Jaxx, and Keane. Franz Ferdinand released their second album, You Could Have It So Much Better, in fall 2005. The bandmembers began writing songs for their third album that year, but scrapped them for a fresh set of songs that they planned to make into a "dirty pop" concept album. Franz Ferdinand tried out a few producers to help them go in a more dance and pop-influenced direction, including Erol Alkan and Xenomania, the production team behind many of Girls Aloud's hits, before deciding on Dan Carey, who had worked with Kylie Minogue, CSS, Hot Chip, and Lily Allen. The song "Lucid Dreams" appeared on the soundtrack to Madden NFL 09 and was released on iTunes in fall 2008; early in 2009, the single Ulysses arrived a week before the release of Franz Ferdinand's third album, Tonight. ~ Heather Phares, All Music Guide