Jazzanova Biography

Jazzanova is many things to many different people. For more than fifteen years the eclectic collective from Berlin has been busy producing, composing, arranging, remixing, DJing and generally shaping our musical world – in the clubs, on the air, in the studio, live on stage, and with their label Sonar Kollektiv. Their “very fertile musical world” (Time Out New York), which does “light a musical tinderbox” (The Face, UK), is “one of the best fusions of all the disparate elements of club music, yet” (Straight No Chaser) and “has dominated the jazz-dance and down-tempo scenes for the past few years, both with its own label and with countless remixes” (Phoenix New Times). Ever changing and evolving, for the past three years Jazzanova has also been touring internationally with a nine-piece-band, which now culminates in their newest release: “The Funkhaus Studio Sessions”. The album represents their exciting “live playlist”, a success from electronic-events like “Melt!”, or Pop-festivals like “Heineken Opener” or “Flow”, to “North Sea Jazz”, “Capetown Jazz” or “Java Jazz”. Played by the full band in the distinguished studios of the “Funkhaus Europa” this brand-new production consists of originals spanning Jazzanova’s entire career: all new, updated and instrumentally re-imagined versions, from their groundbreaking “Fedime’s Flight”, originally released in 1997, via legendary remixes and on to a taste of their score for the revue “Belle et fou”, plus the very first recording of “iHuman”, their fantastically soulful new theme-song – a statement with different meanings to different listeners.

Jazzanova met on the Berlin club-scene in the mid-Nineties, a time when “Mitte” was still a ghost-town during the day, which came alive at night with party-spots like “Delicious Doughnuts” on the corner of Rosenthaler Straße and Auguststraße. A haven for all things jazzy and funky, the club became the birthplace of the collective in 1995 during a night of DJing in which they found truth in each other’s musical styles – and decided to refine their various inspirations into a new sound, incorporating and bowing to a plethora of dance-oriented music from the past four decades. Two years later, Jazzanova got its first big break when DJ and “Worldwide”-presenter Gilles Peterson aired “Fedimes Flight”, the collective’s debut-single, on his radio-show for the BBC. The song was the first release on JCR (Jazzanova Compost Records), their new label-platform in partnership with the Munich-based company of “Future Sound Of Jazz”-fame, and was soon followed by “Caravelle”, yet another hit on the international dance-underground. Spreading their sounds and ideas with inspired DJ sets, also using monikers like “Extended Spirit” or “Kosma”, the Jazzanova DJs were among the first DJs from Berlin in demand all around the world. During this time Jazzanova also got to work on a series of widely acclaimed remixes for fellow innovators like 4hero, Koop, Ursula Rucker, United Future Organization, or Ian Pooley, most of which were collected in the two-disc-set “The Remixes 1997-2000”. After a select few productions under their own name, as well as JCR-releases by Koop, Victor Davies, the Underwolves, or Rima, as well as various-artist compilations dedicated to Polish Jazz from the 60s and 70s for instance, Jazzanova’s full-length debut “In Between” was released by popular demand and to critical acclaim in 2002. Five years and a host of remixes, productions and compil .... Click here to read the full bio on DISCOGS.

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