Marissa Nadler

Marissa Nadler Biography

Songs III: Bird on the Water is a dark and atmospheric record and Nadler’s most personal to date. Thematically she relates to characters living on the fringes of society. The songs revolve around the demise of a love relationship as well as eulogies and dirges.

For the uninitiated, Marissa Nadler grew up in a small town in Massachusetts, where perhaps the brutal winters bred into her a chilly disposition and an early propensity for the darker and more melancholy side of things. Marissa's first appearance saw her covering Pearls Before Swine's “Ballad of the Amber Lady” for a compilation released by Jeffrey Alexander (The Iditarod, Black Forest/Black Sea) whilst she was still attending the Rhode Island School of Design for Painting.

Marissa’s first LP of home recordings Ballads of Living and Dying (Eclipse Records, 2004) was a release that Pitchfork called “a landscape you may want to get lost in for a century or two," and The Wire called “a beauty.”

A second album of home recordings, The Saga of Mayflower May, was released the following year, and has garnered the same acclaim as did Ballads of Living and Dying, with Pitchfork calling it simply an "enthralling album".

It was inevitable that Marissa would rise from the underground to reach a wider audience someday. Her music is dreamy and spectral: an amalgam of traditional folk, paisley underground, shoegaze, and dream pop. Almost all of the songs are very sad – about broken hearts, death, or simple burdens. Her voice is what most people immediately respond to, with the writing and playing yielding a slow burn subtlety. Excelling at a Fahey-esque finger-picking technique, she plays homage to some of the great early American blues players. The Basho like 12 string guitar movements are also quite lovely.

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