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Snow Patrol Biography
Featuring thrilling fusions of alternative pop/rock's most intensified marks, the Northern Irish four-piece Snow Patrol's compositions combine songwriting aptitude with guitar rock's sharpest strains.
How did you promote yourself and your music when you were first starting out?
We just kept playing; loads and loads of gigs!
Did you ever doubt yourself or think about giving up?
No - we have always had stubborn belief in ourselves despite all evidence to the contrary.
What's the wackiest thing you ever did to try and get a gig or sell a record?
Wore eskimo suits at a gig in the early days!
What other ways do you express yourself creatively outside your music?
We dont really have time to do anything creative outside of the band stuff...some practical joking on the tour bus and odd bits of D.I.Y.
How much did others encourage you to express yourself at an early age?
I was a very quiet kid and didnt really come out of my shell until I was 18 and left home. Then, well, all bets were off and I became the obnoxious toe-rag you see today.
What is your community today, and how do you stay connected to it?
Our community is the friends we have in Glasgow and Belfast. But we only see them when we're not touring; the friendships we speak of are so strong that when we come back from months away it's as if we were never away.
Do artists and musicians have a responsibility to be leaders in their communities?
We try and stay out of politics in what we write and say. But you can serve your community in so many ways other than in politics - charities are a good example and we certainly do our bit.
Who do you aspire to be compared to?
The correct answer is to aspire for others to follow in your own footsteps not to tread in those left by people before you.
Who are you sick of being compared to?
Ha! We get compared to Coldplay an awful lot but we're not sick of it. It's a journalistic term for those writers who are lazy and inept.
Do you think music can change the world?
Music can make the world a much more bearable place, definitely. We couldnt live without other people's music and making our own.
Have your political views changed over the years?
No. I am still radically liberal.
Describe one of your proudest moments as a musician/performer/artist.
Headlining the Kingtuts stage at T in the Park Festival, 2004, in Scotland. Awesome crowd, the best we've played to, and a kind of triumphant homecoming, even though we're Irish.
How did you promote yourself and your music when you were first starting out?
We just kept playing; loads and loads of gigs!
Did you ever doubt yourself or think about giving up?
No - we have always had stubborn belief in ourselves despite all evidence to the contrary.
What's the wackiest thing you ever did to try and get a gig or sell a record?
Wore eskimo suits at a gig in the early days!
What other ways do you express yourself creatively outside your music?
We dont really have time to do anything creative outside of the band stuff...some practical joking on the tour bus and odd bits of D.I.Y.
How much did others encourage you to express yourself at an early age?
I was a very quiet kid and didnt really come out of my shell until I was 18 and left home. Then, well, all bets were off and I became the obnoxious toe-rag you see today.
What is your community today, and how do you stay connected to it?
Our community is the friends we have in Glasgow and Belfast. But we only see them when we're not touring; the friendships we speak of are so strong that when we come back from months away it's as if we were never away.
Do artists and musicians have a responsibility to be leaders in their communities?
We try and stay out of politics in what we write and say. But you can serve your community in so many ways other than in politics - charities are a good example and we certainly do our bit.
Who do you aspire to be compared to?
The correct answer is to aspire for others to follow in your own footsteps not to tread in those left by people before you.
Who are you sick of being compared to?
Ha! We get compared to Coldplay an awful lot but we're not sick of it. It's a journalistic term for those writers who are lazy and inept.
Do you think music can change the world?
Music can make the world a much more bearable place, definitely. We couldnt live without other people's music and making our own.
Have your political views changed over the years?
No. I am still radically liberal.
Describe one of your proudest moments as a musician/performer/artist.
Headlining the Kingtuts stage at T in the Park Festival, 2004, in Scotland. Awesome crowd, the best we've played to, and a kind of triumphant homecoming, even though we're Irish.
Snow Patrol All Music Guide Biography
Featuring a fusion of several alternative stylistic touchstones, Snow Patrol's compositions combine songwriting aptitude with pop/rock's sharpest strains. Although originally from Northern Ireland, vocalist/guitarist Gary Lightbody and bassist/keyboardist Mark McClelland first teamed up in 1994 at the University of Dundee, having relocated to Scotland for college. The duo began composing music under several different band names, including Shrug and Polar Bear, before adopting the Snow Patrol moniker and enlisting Jonny Quinn to play drums in 1997. They signed with the U.K.'s Jeepster label in 1998 and released their debut album, Songs for Polar Bears, in August of that same year. The record was a large success across the U.K., where the bandmates also gained a large fan base for their live show.
The British trio graduated from school and decided to relocate from Dundee to Glasgow in late 2000. Their second full-length, When It's All Over We Still Have to Clear Up, was released in April 2001. Quickly thereafter, guitarist Nathan Connolly was added to the group, and Snow Patrol found themselves a deal with Polydor. Producer Chris Lord-Alge signed on for the release of Final Straw, which appeared stateside in April 2004. With the success of singles such as "Chocolate," "Run," and "Spitting Games," Final Straw sold two million copies in the band's native U.K. and became the 26th most popular British album of that year. Despite the band's growing success, founding member Mark McClelland left in March 2005, effectively downgrading Snow Patrol to a trio comprised of Lightbody, Quinn, and Connolly. Shortly thereafter, former Terra Diablo bass player Paul Wilson and touring keyboardist Tom Simpson were permanently added to the band.
An opening slot on the European leg of U2's Vertigo Tour followed in summer 2005, and Snow Patrol's fourth album, the slickly commercial Eyes Open, arrived in May 2006. One year later, with a successful run through North America under their belt and the mainstream appeal of "Chasing Cars" maintaining the band's presence on American radio, Eyes Open was certified gold in the United States. It later rose to platinum status. Snow Patrol also became the first U.K. rock act in 13 years to break into the Top Five of the Billboard singles charts, a feat they sought to revisit with the release of 2008's A Hundred Million Suns. Led by the single "Take Back the City," the album featured an emphasis on positive, romantic lyrics, something that Gary Lightbody had pointedly shunned in the past. ~ Mario Mesquita Borges & Andrew Leahey, All Music Guide
The British trio graduated from school and decided to relocate from Dundee to Glasgow in late 2000. Their second full-length, When It's All Over We Still Have to Clear Up, was released in April 2001. Quickly thereafter, guitarist Nathan Connolly was added to the group, and Snow Patrol found themselves a deal with Polydor. Producer Chris Lord-Alge signed on for the release of Final Straw, which appeared stateside in April 2004. With the success of singles such as "Chocolate," "Run," and "Spitting Games," Final Straw sold two million copies in the band's native U.K. and became the 26th most popular British album of that year. Despite the band's growing success, founding member Mark McClelland left in March 2005, effectively downgrading Snow Patrol to a trio comprised of Lightbody, Quinn, and Connolly. Shortly thereafter, former Terra Diablo bass player Paul Wilson and touring keyboardist Tom Simpson were permanently added to the band.
An opening slot on the European leg of U2's Vertigo Tour followed in summer 2005, and Snow Patrol's fourth album, the slickly commercial Eyes Open, arrived in May 2006. One year later, with a successful run through North America under their belt and the mainstream appeal of "Chasing Cars" maintaining the band's presence on American radio, Eyes Open was certified gold in the United States. It later rose to platinum status. Snow Patrol also became the first U.K. rock act in 13 years to break into the Top Five of the Billboard singles charts, a feat they sought to revisit with the release of 2008's A Hundred Million Suns. Led by the single "Take Back the City," the album featured an emphasis on positive, romantic lyrics, something that Gary Lightbody had pointedly shunned in the past. ~ Mario Mesquita Borges & Andrew Leahey, All Music Guide
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