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    WHEN the Fugees released their second album, The Score, in early 1996, the trio's organic style of hip-hop injected a shot of much-needed soul into a genre saturated with testosterone-induced posturing and gangsta attitudes. For Lauryn Hill, Wyclef Jean, and Prakazrel "Pras" Michel, hip-hop was as much about Bob Marley and Nina Simone as it was the Notorious B.I.G. and Snoop Doggy Dogg. Driven ...more

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