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  • Interview: Ani Difranco

    Tue, 23 Dec 2008 16:34:30

    Interview:  Ani Difranco - We get ready to ring in a <i>Red Letter Year</i> with the outspoken folk icon

    Ani DiFranco Photos

    • Ani DiFranco - NEW ORLEANS, LA - MAY 06:  Ani DiFranco sits in with The Preservation Hall Jazz Band during there 50th. Annversary performance at the 2012 New Orleans Jazz & Heritage Festival Day 7 at the Fair Grounds Race Course on May 6, 2012 in New Orleans, Louisiana.
    • Ani DiFranco - NEW ORLEANS, LA - MAY 03:  Ani DiFranco performs during the 2012 New Orleans Jazz & Heritage Festival - Day 4, at the Fair Grounds Race Course on May 3, 2012 in New Orleans, Louisiana.

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    Ani DiFranco Videos

    • Ani Difranco - Woody Guthrie At 100!/Ani on Woody the revolutionary
    • Ani Difranco - Woody Guthrie At 100!/ Ani on Woody & Nora

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    Well before the digital democratization of the music industry–back in an era when major labels were supposedly the end-all, be-all for breaking artists on a national level–Ani DiFranco struck out on her own. The career expectancy for a folk singer from Buffalo couldn’t have been long, particularly for one who refused to play ball with “business as usual.” Almost 20 years later, DiFranco is almost certainly the best-known and most influential folk singer of her generation. Her unapologetic politics and tireless independence have made her a beacon for an increasingly large cross-section of listeners, from collegiate feminists to small-town punk rockers.

    As adamant as she’s been about not changing the principles behind her music, DiFranco has been equally insistent on changing and evolving the music itself. On her new album, Red Letter Year, the “Little Folksinger” plays with a brass band and a string section, singing about the newly discovered joys of love and motherhood one moment and the travesty of the Hurricane Katrina aftermath the next. Unusually polished but never sterile, it’s one of her best albums of the decade (no small achievement for someone so prolific).

    As 2008 came to a close, DiFranco spoke to ARTISTdirect about crying on Election Night, rediscovering the Jackson 5, and daring to not support the troops.

    The holidays are coming up, of course–as someone who isn’t religious, per se, do you have a plan for raising a child in a country where some fun, ubiquitous holidays are tethered to religious orthodoxy?

    Well, it seems like we could pretty much have all the fun of all the holidays without the Jesus part–and many people do these days. That doesn’t worry me half as much as the question of Santa Claus. [Laughs] How are you gonna deal with that one? To lie or not to lie! Yeah, you know, kids are smart–they’re probably smarter than adults. My kid’s just two, but I imagine she’ll be aware that there are religious types and not-religious types and she’ll make her own assessment.

    Hope was the big buzzword of 2008. But now there’s this “buyer beware” voice that’s rising amongst progressives. [Noam] Chomsky gave a speech recently where he basically said that for all the important historical aspects of the election, it really boiled down to the same thing as always, which was money and marketing.

    Chomsky! Dude, c’mon. [Laughs] Let’s get happy. Stop killing my buzz, man.

    I know! And Naomi Klein has been warning that the pre-inauguration weeks could set a precedent of leaving a progressive agenda out in the cold for the next eight years. Is there a devil on your shoulder saying “Don’t get too excited–it’s going to be the same as always?” It doesn’t sound like it.

    No. I think my instinct as a person is that when you find something really good, something night-and-day from what you’ve had… I see Obama as an intelligent, thoughtful, aware leader. That’s something I’ve never known in my life as an American. I’m so grateful and so excited. And my instinct, I guess, is to support it and allow it to be as good as it can be.

    Of course you can look to the age-old criticism of the Left–which has so much validity–that we’re just shooting each other in the foot. We’re fighting each other rather than working together against much greater evils. I think Obama really brings this spirit of unity with him. Even in the days leading up to his inauguration, I hear progressive voices saying “Ohh, he’s appointing Republicans to his Cabinet and there aren’t enough Lefties.” I’ll tell you–that moment in his acceptance speech when he said “To all those whose support I have not yet earned, I will be your president, too”–that just made me bawl. What a leader. And that’s exactly his job–to listen to everyone, to include everyone, and then try to focus America’s talent and energy toward its own salvation. I really have faith–faith is a dirty word, and it felt weird coming out. [Laughs] It’s not as though I intend to blindly follow and wave my Obama flag; I intend to engage with him in a supportive way. I think it would be unfortunate if we couldn’t step out of our habits of cynicism and kneejerk criticism that we have rightfully formed over the years. Now is the time to shift gears and really try to work together.

    Early in the primary season, you’d given an interview to the Guardian where you talked about your support of Dennis Kucinich. At the time, you were thinking that Obama and Clinton were “lame” candidates who represented business as usual. Was there a turning point, a pivotal moment where Obama changed your mind about him–or was it a gradual getting to know him over those long months?

    Yeah, a gradual getting to know him. I think at the time I probably hadn’t seen him speak that much and hadn’t felt him out–I was going on my general impression of Dennis versus the rest of the political life. [Laughs] Yeah, I think over the course of the primary campaigning, I became more and more of a fan of Obama and less and less of a fan of Clinton. I will always support Dennis’s vision. Just the caliber of [Obama’s] campaign was incredibly impressive and showed a level of leadership that, say, my great friend Dennis–who is a political visionary–doesn’t necessarily possess.

    The press release for Red Letter Year really plays up the happiness angle–and there are songs like “Smiling Underneath” and “Way Tight” that bear that out. But I’ve noticed that the press has really run with that angle and maybe overpursued it.

    I know! I noticed fairly recently that it was in my fricking press release, how happy I am. I was like, oh, here’s the problem right here! [Laughs] Because you know how people are–they will just repeat things. So, yeah, it does seem a little distorted. As you know, there’s a lot of political [content]… my usual ranting and rolling.

    Do you feel like the inverse has been true in the past? That the lighter, brighter side has been overlooked?

    Well, thank you! [Laughs] Can I tell ‘em you said so? Yes, indeed–being sort of stereotyped up until now as the angry girl was a little oversimplified. I guess, in fairness, I’m trying to be more intentional about including the lighter side, the joy in my life, in my music these days. Just before Red Letter Year, I put together a compilation album called Canon that spans all of my records. Listening back to my body of material–God forbid–it was something that struck me, that I have that typical songwriter’s disease where when I have a problem, I reach for my guitar, and when I’m happy, I’m busy being happy. I did decide somewhere inside myself to try to reach for my guitar when I’m happy, too.

    Happiness can be really motivating. It’s real fuel. People have been asking me “Now that you’re all happy and content, are you done?” For me, I feel like I’ve just begun now that I have a firm enough place to stand in my own life. All of the songs that I’ve written since that record are very political. I’m not obsessing over my personal foibles, which frees me up and motivates me to get to even more important work.

    I always think it’s interesting when songwriters who you know are happily married or in longtime healthy relationships keep churning out tragic relationship songs. They must have deep pools to draw from.

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