Album Reviews: Arular by M.I.A.Rarely these days can music critics say of a new artist: She sounds like nothing you’ve ever heard. But the debut album from Maya Arulpragasam, a.k.a. M.I.A., truly is without precedent. Arular takes electroclash, Sri Lankan folk music, American hip-hop, and the jittery UK hip-hop/two-step hybrid known as grime, and distills them into something weird, wonderful and completely original. You’ll either love it or hate it.
M.I.A.’s backstory is as compelling as her music. The daughter of a Tamil rebel leader from the Asian island nation of Sri Lanka, M.I.A. and her family fled to London as political refugees while her father stayed behind to continue fighting for independence from the oppressive Sinhalese majority. Her first creative outlet was visual art, and she became a minor celebrity in London art circles for her vivid collage-and-spraypaint canvases, which mixed jungle and war imagery. Her art led to a connection with, of all things, British post-punk rockers Elastica, but it was another musician, the electroclash star Peaches, who inspired M.I.A. to try her hand at recording music.
Peaches’ influence can be heard on tracks like “Fire Fire,” with its sassy, pep squad stomp, but M.I.A.'s music ventures far beyond the stiff vamps of electroclash. Most of her songs are crazy-quilt mash-ups that stitch together the off-kilter beats and sing-song children’s rhymes of her native Sri Lanka, the cockney grime of fellow London MCs like Dizzee Rascal and The Streets’ Mike Skinner, and best of all, the stripped-down production and brash attitude of old-school American hip-hop acts like N.W.A and Salt-n-Pepa. The music itself would be interesting enough, but M.I.A. tops it off with a fresh rapping and singing style that should make her a superstar. She’s equally assured spitting political rhymes on “Pull Up the People” and getting down and dirty on raunchier tracks like “10 Dollar” and “Hombre,” which features the immortal chorus, “Excuse me Little Hombre/Take my number call me/I can get Squeaky/So you can come and oil me.”
Music this unique will probably vanish in the American market, which is too bad, because “Hombre” and the lead single “Sunshowers” have as much singalong and booty-shaking potential as a hit single like Ciara’s “Goodies" (which M.I.A. remixed for release as a UK 12-inch with producer Richard X). Maybe M.I.A. can hook up with Lil Jon for a crunk remix and score the mainstream success that she deserves and that bland commercial radio desperately needs. - Andy Hermann
Ice Cube To Star In Disney Version of "Oliver Twist"
Wed, 26 Oct 2016 10:21:27
Prince, The Rolling Stones, Jack White To Release Exclusive Vinyl On Record Store Day Black Friday 2016
Wed, 26 Oct 2016 10:15:53
The Shins Return With Spooky "Dead Alive"
Wed, 26 Oct 2016 10:10:09
Maynard James Keenan Details Tool and Rage Against The Machine's Formations In New Autobiography
Wed, 26 Oct 2016 10:05:56
Neil Young Releasing 38th Album "Peace Trail" In December
Wed, 26 Oct 2016 09:35:21
Tipling Rock Talks "Low Tide Love"
Wed, 26 Oct 2016 09:08:39
'Inside Llewyn Davis' All-Stars Honor Greenwich Village Heyday
Mon, 30 Sep 2013 10:04:00
Justin Moore's Outrageous Hiney Song
Mon, 30 Sep 2013 09:56:00
Farewell 'Breaking Bad': Earth Below Us, Drifting Falling
Mon, 30 Sep 2013 09:45:00
Paul McCartney Responds to Lost Fan Letter, 50 Years Later
Mon, 30 Sep 2013 09:30:00