Mario Bauzá
A talented section player who rarely soloed, Mario Bauzá's main importance to music was behind the scenes as one of the main instigators of Afro-Cuban jazz, the potent mixture of Latin rhythms with jazz improvisation. A multi-instrumentalist, Bauzá played clarinet and oboe with the Havana Philharmonic before moving to New York in 1930. During a stint with Noble Sissle in 1932, he switched to ...more




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