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Pianist and vibraphone player Karl Berger cites Ornette Coleman as a close friend and mentor; Coleman's ways of playing jazz are certainly reflected in Berger's concept, more so than any other vibist one could name. Berger eschews four-mallet technique; his style is all single-line, with little (if any) chordal playing. Berger's compositions are brief, song-like free-bop heads in the manner of ...more
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