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Eddie Miller had a beautiful tone on his tenor, similar to Bud Freeman, although his style was much less angular. Miller was a solidly swinging player who fit easily into Dixieland and swing settings. He worked professionally in New Orleans at the age of 16 and in 1930 made his recording debut with Julie Wintz. He was well-featured with Ben Pollack's Orchestra (1930-1934) and when Bob Crosby took ...more
- Jem
- Down to Earth
- Vocal Engineer
- Jem
- Down to Earth (Barnes & Noble Exclusive)
- Vocal Engineer
- Various Artists
- Golden Years of Jazz 1917-1939
- Clarinet
- Various Artists
- Golden Years of Jazz 1917-1939
- Sax (Tenor)
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