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    For a period in the 1920s, Miff Mole was (prior to the emergence of Jack Teagarden) the most advanced trombonist in jazz. He had gained a strong reputation playing with the Original Memphis Five (starting in 1922) and his many recordings with Red Nichols during 1926-1927 found him taking unusual interval jumps with staccato phrasing that perfectly fit Nichols' style. However, in 1927, he started ...more


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