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Despite a remarkably colorful and difficult life, Art Pepper was quite consistent in the recording studios; virtually every recording he made is well worth getting. In the 1950s he was one of the few altoists (along with Lee Konitz and Paul Desmond) that was able to develop his own sound despite the dominant influence of Charlie Parker. During his last years, Pepper seemed to put all of his life's ...more
- Stan Kenton
- Viva Prado
- Sax (Alto)
- Stan Kenton
- Unrecorded Stan Kenton
- Sax (Alto)
- Art Pepper
- Mucho Calor (Bonus Tracks)
- Sax (Alto)
- Art Pepper
- No Limit (Japan Reissue)
- Liner Notes
- Art Pepper
- No Limit (Japan Reissue)
- Sax (Alto)
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