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In the mid-'60s, Frenchman Jean-Jacques Perrey -- an electronic musician who had helped popularize the Ondioline, a keyboard which produced sounds similar to the violin and the flute -- teamed up with American composer and arranger Gershon Kingsley for a couple albums of then-futuristic electronic pop. Using tape recorders, scissors, and splicing tape, they recorded variations on pop motifs that, ...more
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