Michal Urbaniak

Once Poland's most promising import in the jazz-rock 1970s, Michal Urbaniak's chief value in retrospect was as a fellow traveler of Jean-Luc Ponty, a fluid advocate of the electric violin, the lower-pitched violectra, and the lyricon (the first popular, if now largely underutilized wind synthesizer). Like many Eastern European jazzmen, he would incorporate elements of Polish folk music into his ...more