Jean-Michel Jarre

Jean-Michel Jarre performed a handful of concerts in Peking and Shanghai in 1981, marking the first time that a modern Western musical artist had played in communist China. Sensing the historical importance of the event (and the career milestone it represented), a double-album of live music from these concerts was released the following year as Les Concerts En Chine. The release is half musical travelogue (featuring new pieces presumably inspired by China) and half career retrospective, with faithful reproductions of excerpts from Equinoxe and Les Chants Magnetiques (Magnetic Fields) interspersed with new works and snippets of Chinese dialogue. There has always been a strong visual component to Jarre's live shows, which the listener is left out of on these recordings (small pockets of applause during some of the songs allude to the graphic goings on), but even without the lights and lasers this is engaging stuff. Highlights from the show include "Jonques de Pecheurs au Crepuscule (Fishing Junks At Sunset)," a welcome respite from Jarre's ultra-modern music that features a traditional Oriental arrangement, and new works like "Arpegiateur" and "Nuit A Shangai" that compare favorably with the brisk, streamlined sound of Tangerine Dream in the early ‘80s. Connecting these sections with dialogue and street noises (some of which, in the case of "Les Chants Magnetiques," have always been there) breaks up the concert nicely, although two light-hearted intermissions ("L'Orchestre Sous La Pluie" and "La Derniere Rumba") make too fine a point of it. Owners of Equinoxe and Magnetic Fields expecting to hear a new interpretation of these albums won't find any surprises on Les Concerts En Chine except a short ping-pong match inexplicably billed as "Les Chants Magnetiques I." The real attraction is the new music, and the newness that all of this must have held for its audience. Regrettably, when Dreyfus reissued the concert on compact disc in 1992, it opted to split the original double elpee into two separate discs as Volume 1 and Volume 2. Whether motivated by greed or a complete lack of common sense, the decision divides two halves of the original release (which, incidentally, would have fit on a single disc), resulting in twice the cost to consumers. It may be the ugly side of capitalism, but it's still a small price to pay for freedom. ~ Dave Connolly, All Music Guide