Long Live Rock 'n' Roll may be singer Ronnie James Dio's last album with Rainbow, but at least he went out on a high note. While the material is not quite as strong as on the previous studio effort, Rising, Long Live Rock 'n' Roll maintains the momentum the band had built up. "Kill the King" had been previously heard on the live On Stage record, but here it sounds more fully realized. Also, the title track from the album stands as one of the best songs the band did, not to mention a noble sentiment. The chugging "L.A. Connection" is another highlight. As with all of their first four albums, this one was produced by Martin Birch (who produced everyone from Blue Öyster Cult to Wayne County), and he really knows how to get the best out of the band by this point. The result is that the songs couldn't sound any better, so even if some of the material isn't quite up to their best, the album is still very cohesive, steady, and, ultimately, satisfying. This would turn out to be the last great album Rainbow would ever make, although they did enjoy a great deal of chart success in the post-Dio era. ~ Geoff Ginsberg, All Music Guide
Long Live Rock 'n' Roll
01/01/1978 | Polydor / Umgd
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CD
$9.99LONG LIVE ROCK & ROLL (RMST)
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CD
$34.99LONG LIVE ROCK N ROLL (JPN) (SHM)
All Music Guide Review
User Review
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posted on Sat, 19 Jul 2008 12:59:32A MUST FOR YOUR COLLECTION
I have to totally agree with the prior review This is a must have cd
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posted on Mon, 17 Dec 2007 10:30:38Long Live Rock and Roll
This recording shows Ritchie Blackmore and Ronnie James Dio at the top of their game. With the exception of the horribly trite "L.A. Connection" and the forgettable and hokey "Sensitive to Light". Blackmore and Dio flex their god-like skills triumphant on the title track "Long Live Rock and Roll" and do not stop to let you catch your breath on the next track. Track two is the haunting and heavy "Lady of The Lake," an Arthurian tale in which Dio goes into a familiar territory where he warns people of the evil powers of women who steal souls and smash dreams, a trait recognizable on every song Ronnie has sang about love. Which brings us to the fourth song on side A. "The Gates of Babylon" is a heavy song with a middle-eastern flair where Dio waxes poetic about genies and carpet rides, but none the less a great song featuring the virtuoso guitar playing of Richie Blackmore.
On side B, in "Kill the King" perhaps Dio is fancying himself being the slayer of Richie Blackmore in lieu of their constant artistic differences, alas it is a Ronnie James Dio song and is more probable that there is no passive-aggressive content lurking latently between the wax lines, in fact it is probably just another tale about knights, angry peasants, and other mid-evil bugaboo storming a castle. Jumping to "Rainbow Eyes," the last song on side B, Blackmore delivers a Hendrix-esque ballad that is weepy, but relevant, in the sense that it transgresses time and the content remains viable in today's complex society.
I fail to mention that this era of Rainbow had one of the best drummers in rock and roll history his name is Cozy Powell. Not forget either the hooka-hammering bass playing of Bob Daisley.
With that being said, go out and get this recording!
Mortimer Bustos
Track Listing
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Credits
- Ottmer Machan
- Strings, Viola
- Nico Nicoli
- Violin
- Bruce Payne
- Director
- Rainer Pietsch
- Conductor, Score
- Cozy Powell
- Drums
- Rudi Risavy
- Flute
- Dennis M. Drake
- Mastering
- David Stone
- Keyboards
- Ritchie Blackmore
- Bass, Guitar
- Barvarian String Ensemble
- Strings
- Martin Birch
- Producer
- Bob Daisley
- Bass
- Ronnie James Dio
- Vocals
- Karl Heinz Feit
- Strings, Cello
- Debbie Hall
- Illustrations
- Max Hecker
- Recorder, Wind
- Ferenc Kiss
- Violin, Concert Master
- Rainbow
- Main Performer













