Tom Petty has always battled corporations and the music industry -- fighting for lower retail prices for Hard Promises, complaining about videos, and always fighting for old-school, artist-first '60s rock aesthetics. There's a lot to admire about this stance, especially since he's essentially right about corporations having too much of a stranglehold on pop music. Not every song on the record is about the death of rock & roll and the evils that corporations do, but it sure feels that way, since it begins with the one-two punch of "The Last DJ" and "Money Becomes King." The former is a bitter lament for the loss of free thought in pop culture, using the DJ as a truth-telling seer; the latter is a rewrite of "Into the Great Wide Open," all about a favorite artist who sells out. These front-loaded tracks obscure the lovely "Dreamville," the best song here. ~ Stephen Thomas Erlewine, All Music Guide
The Last DJ
10/08/2002 | Warner Bros / Wea
All Music Guide Review
Track Listing
Similar Albums
Credits
- Jim Scott
- Engineer
- Don Smith
- Engineer
- Ed Thacker
- Engineer
- Scott Thurston
- Guitar, Ukulele, Lap Steel Guitar
- Ryan Hewitt
- Assistant Engineer
- Zachary Larner
- Design
- Benmont Tench
- Organ, Piano, Keyboards
- Ron Blair
- Bass
- Jon Brion
- Conductor, Orchestral Arrangements
- Lenny Castro
- Percussion
- Richard Dodd
- Engineer, Mixing, Mastering
- George Drakoulias
- Producer
- Steve Ferrone
- Drums
- Lindsey Buckingham
- Vocals (Background)
- Tom Petty
- Bass, Ukulele, Orchestral Arrangements, Producer, Vocals, Piano, Guitar
















