Media darlings after the commercial success of their debut, Digable Planets attempted to prove their artistic merit with this second album, and succeeded wildly. A worthy, underrated successor, Blowout Comb was just as catchy and memorable as their first, and also offered the perfect response to critics and hip-hop fans who complained they weren't "real" enough. Except for a dark, indecipherable single named "Dial 7 (Axioms of Creamy Spies)," Blowout Comb excelled at pushing great grooves over sunny-day party jams, even when the crew was providing deft social commentary -- as on "Black Ego" and "Dial 7 (Axioms of Creamy Spies)." The trio used their greater clout to invite instrumentalists instead of relying completely on samples, and the music took on more aspects of the live jam than before. Though Blowout Comb still borrowed a host of riffs from great jazz anthems (from Bob James to Bobbi Humphrey), Digable Planets used them well, as beds for their back-and-forth freestyling and solos from guests. The Digables remade Roy Ayers' "We Live in Brooklyn, Baby" into "Borough Check," and invited Guru from Gang Starr to salute Brooklyn's block-parties and barbershops. (The focus on the neighborhood even carried over to the liner notes, laid out like a community newspaper.) The closer, a brassy, seven-minute "For Corners," also captured that fleeting feeling of neighborhood peace. Though Blowout Comb lacked the commercial punch of Reachin', Digable Planets made great strides in the two areas they'd previously been criticized: beats and rhymes. The beats were incredible, some of the best ever heard on a rap record, a hip-hop version of the classic, off-kilter, New Orleans second-line funk. The productions, all crafted by the group themselves, were laid-back and clearly superior to much hip-hop of the time. The raps, though certainly not hardcore, were just as intelligent as on the debut, and flowed much better. While Reachin' came to sound like a moment in time for the jazz-rap crowd, Blowout Comb has remained a timeless classic. ~ John Bush, All Music Guide
All Music Guide Review
Blowout Comb Track Listing
Credits of Blowout Comb
- Mood Dude
- Vocals, Vocals (Background)
- Afu the True
- Vocals, Vocals (Background)
- Beneficent
- Vocals, Vocals (Background)
- Davey Chalice
- Bass, Vocals
- Crescents
- Vocals, Vocals (Background)
- Lee Love
- Vocals, Vocals (Background)
- Malik
- Vocals, Vocals (Background)
- Myrtle Ave Nigs
- Vocals, Vocals (Background)
- Beth Russo
- Cello
- Seven Karat
- Vocals, Vocals (Background)
- Trim Ken Slim
- Vocals, Vocals (Background), ?
- Stilletto
- Vocals, Vocals (Background)
- Yvette Sugar
- Vocals, Vocals (Background)
- Gerald Brazel
- Trumpet
- Chegua
- Vocals, Rap
- Decky
- Vocals
- Dust Daughters
- Vocals
- Eye Cee
- Vocals, Vocals (Background)
- Jahsun
- Vocals
- David Lee Jones
- Sax (Alto)
- Bill Lounge
- Vibraphone
- Brother Junior Plus
- Liner Notes
- P.O.W.E.R.
- Vocals
- Shi Reltub
- Vibraphone
- Sulaiman
- Scratching, Vocals (Background)
- Trim
- Vocals
- J. Truth
- Vocals, Vocals (Background)
- Sara Webb
- Vocals
- Tim "T-Bone" Williams
- Trombone
- Dennis Wheeler
- Executive Producer
- Henry Marquez
- Art Direction
- Tom Coyne
- Mastering
- Daniela Federici
- Photography
- Dexter Simmons
- Assistant Engineer
- Jack Hersca
- Assistant Engineer
- Carla Leighton
- Design
- Brooklyn
- Vocals, Vocals (Background)
- Digable Planets
- Arranger, Producer, Main Performer
- Guru
- Vocals
- Jeru the Damaja
- Vocals
- Dwayne Burno
- Bass
- Carl Carter
- Bass
- Huey Cox
- Guitar (Acoustic), Guitar
- Dave Darlington
- Guitar (Acoustic), Guitar, Keyboards, Producer, Engineer, Fretless Bass, Mixing
- Dave the Prince
- Vocals, Vocals (Background)
- Alan Goldsher
- Bass
- Donald Harrison
- Flute, Sax (Tenor)
- Lavish
- Vocals, Vocals (Background)
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