With Holy Terror, the Last Poets lay their claim to be the originators of hip-hop. Containing some of the Poets' most trenchant political and social lyrics, Holy Terror shows the Last Poets, Umar Bin Hassan and Abiodun Oyewole, still as fiery and sharp as ever. "Homesick" and "Pelourinho" are descriptions of slavery that are as vivid and riveting as any movie. "Black Rage" paints a portrait of urban hell that will chill any listener to the bone. The album is also superbly produced, with a funk sound that supports the lyrics while never overshadowing them. Credit is due to seminal producer Bill Laswell, who, armed with a first-class band made up of P-Funk alumni George Clinton, Bootsy Collins, and Bernie Worrell, along with Grandmaster Melle Mel, constructs dense, intricate grooves that are simultaneously modern and traditional. For both fans of the classic Last Poets albums and newcomers interested in one of the missing links between classic funk and modern hip-hop, Holy Terror is worth a listen. ~ Victor W. Valdivia, All Music Guide
Holy Terror
01/01/1994 | Innerrhythmic Found.
All Music Guide Review
Holy Terror Track Listing
Credits of Holy Terror
- Imad Mansour
- Assistant Engineer, Assistant
- Tracy McKnight
- Associate Producer
- Grandmaster Melle Mel
- Vocals, Voices
- Robert Musso
- Engineer
- Abiodun Oyewole
- Vocals, Voices
- Howie Weinberg
- Mastering, Original Mastering
- Peter Wetherbee
- Technician
- Aldo Sampieri
- Artwork, Archivist, Design, Layout Design
- Michael Fossenkemper
- Digital Remastering
- Umar Bin Hassan
- Vocals, Voices
- Bootsy Collins
- Bass, Guitar, Vocals
- Aiyb Dieng
- Percussion, Drums, Tambourine, ?, Chatan, Talking Drum, Bells, Gong, Conga, Conductor
- Oz Fritz
- Engineer
- Mati Klarwein
- Artwork, Cover Painting
- Bernie Worrell
- Organ, Synthesizer, Piano, Keyboards, Clavinet
- The Last Poets
- Main Performer
- Bill Laswell
- Bass, Producer, Sampling, Loops, Beats
















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