And the winner of the hippest Sanborn clone of the year award is...Andy Snitzer. But this isn't necessarily a bad thing. While so many other soundalikes play that gutsy bravura with a lightweight pop sheen covering true passion, on Ties That Bind Snitzer stresses playfulness, relaxed camaraderie, and surprising improvisational twists as much as MOR hookiness. In short, he has both the sound and loose-fitting trappings of his prime influence. It's hard to turn away from the comparisons -- he shares Sanborn's old label and cohorts like Michael Colina and Bob James -- yet Snitzer throws in a few curveballs which offer glimmers of promise that one day he will emerge on his own merit. The best tracks here, for instance, are composed and/or produced solo by the saxman. No Marcus Miller collaborations. And best of all, Snitzer alternates with a nasty tenor demeanor whose rough edges creep into familiar territory, but then eventually steer in fresh, darker directions. You may not be fully convinced till the last track, however, when said tenor blows methodically in a straight-ahead blues with Joe Sample and Christian McBride, with nary a Sanborn lick to be heard. ~ Jonathan Widran, All Music Guide
Ties That Bind
01/01/1994
All Music Guide Review
Ties That Bind Track Listing
Credits of Ties That Bind
- Harvey Mason, Sr.
- Drums
- Christian McBride
- Bass
- Nick Moroch
- Guitar (Electric)
- Matt Pierson
- Producer
- Andy Snitzer
- Bass, Producer, Main Performer, Sax (Tenor), Drums, Sax (Alto), Keyboards
- Wah Wah Watson
- Guitar
- Paul Livant
- Guitar, Guitar (Electric)
- Ira Segal
- Guitar (Electric)
- Scott Kreitzer
- Flute
- Lewis Nash
- Drums
- Ray Bardani
- Producer, Engineer
- Bashiri Johnson
- Percussion
- Chris Botti
- Trumpet
- Peter DeMarco
- Piano
- Steve Gadd
- Drums
- David Gamson
- Producer
- Anthony Jackson
- Bass
- Will Lee
- Bass
- Michael Colina
- Producer
- Michael Davis
- Trombone
- Larry Goldings
- Organ
- Bob James
- Piano
- Joe Sample
- Piano













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