Master and Commander, based on the hugely successful literary series by Patrick O' Brian, chronicles the adventures of Captain Jack Aubrey of The Royal British Navy. Musically speaking, the seafaring genre hasn't lived up to its expectations in a long, long time. For a world saturated with lore, shanties, and melodies inspired by the ocean, Hollywood remains unresponsive, uninspired, and bereft of the combination to Davy Jones' locker. One would expect a bombastic, heroic, and unforgettable motif to assist our protagonist in his exploits, but composers Iva Davies and Christopher Gordon provide nothing of the sort. The original portion of the score succeeds in riding wave upon wave of tension, but swashbuckling tales of the sea require a memorable tune, not just a storm of Taiko drums and washed-out strings. The composers fare better on a recurring folk medley, lovingly rendered by master violinist Richard Tognetti -- fans of the novels on which the film is based know full well that Lucky Jack is a fiddle-slinging-bard of a captain -- that captures the true spirit of being miles away from home with your mates and fending off ghostly freighters. The remainder of the soundtrack yields a tad more bounty, utilizing famous classical pieces from Mozart, Bach, and Boccherini to great effect, bailing out the brackish water intent on keeping this ship permanently docked. ~ James Christopher Monger, Rovi
Iva Davies
Master and Commander: The Far Side of the World (Music from the Motion Picture)
2003 | Decca
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CD
$15.99MASTER & COMMANDER (SCORE) / O.S.T.
11/11/2003
All Music Guide Review
Master and Commander: The Far Side of the World (Music from the Motion Picture) Track Listing
Tognetti, Richard
Ayling, Phil
Riegler, Eric
Erdody, Stephen
Oswell, Simon
Dukov, Bruce
Tognetti, Richard
Credits of Master and Commander: The Far Side of the World (Music from the Motion Picture)
- Okhee Kim
- Assistant Engineer
- Richard Grant
- Auricle Programming
- Niall O'Rourke
- Soundtrack Coordination
- Richard Erdoes
- Cello
- George Innes
- Dialogue
- Larry Mah
- Digital Engineer, Digital Recording
- Simon Oswell
- Viola
- John Richards
- Engineer, Recording
- John Rodd
- Engineer, Recording
- Bill Talbott
- Engineer
- Eric Rigler
- Uillean Pipes
- Tom Steel
- Stage Manager
- Kathy Nelson
- Soundtrack Executive Producer
- Costa Pilavachi
- A&R
- Michael Knobloch
- Music Supervisor
- Timothy Landauer
- Cello
- Kevin Globerman
- Digital Engineer, Digital Recording
- Jeffrey A. Greenberg
- Studio Manager
- Barry Wordsworth
- Conductor
- Randy Dry
- A&R
- Ok Hee Kim
- Assistant Engineer
- Ira Davis
- Arranger, Producer, Sample Programming, Digital Synthesizer
- Traditional
- Composer
- Bobby Fernandez
- Engineer
- Christopher Gordon
- Arranger, Composer, Conductor, Producer, Orchestration
- Meredith Friedman
- Soundtrack Coordination
- Damon Tedesco
- Stage Manager
- Paul Chessell
- Art Direction
- Simon Leadley
- Engineer, Recording, Supervising Music Editor, Score Producer
- Jim Walker
- Jew's-Harp
- Emma-Jane Murphy
- Cello
- New Queen's Hall Orchestra
- Orchestra
- Richard Tognetti
- Violin, Arranger, Conductor, Orchestration, Producer, Composer
- Ellen Ginsburg
- Music Clearance
- Eric Riegler
- Uillean Pipes
- Costa Pilvachi
- A&R
- Marc Johnston
- A&R
- Bobby Fernandez
- Recording
- Yo-Yo Ma
- Cello
- Jim Walker
- Jew's-Harp
- Bruce Dukov
- Violin
- Phil Ayling
- Whistle (Human)
- Johann Sebastian Bach
- Composer
- Iva Davies
- Composer, Synthesizer Programming, Sample Programming, Producer, Digital Programming
- Stephen Erdody
- Cello
- Michael Fisher
- Percussion
- Richard E. Grant
- Auricle Programming
- John Kurlander
- Engineer, Mixing, Recording
- Wolfgang Amadeus Mozart
- Composer
- Ralph Vaughan Williams
- Composer
- Robert Kraft
- Executive in Charge of Music
- Luigi Boccherini
- Composer
- Arcangelo Corelli
- Composer







