Ten years deep in the rap game, Nas unveiled Street's Disciple, an indulgent album that sprawls across two discs, freewheeling through a dizzying array of ace productions and thoughtful raps. The album is very much a continuation of its predecessor, God's Son: both helmed primarily by producers Salaam Remi and Chucky Thompson, both uncompromising personal statements that make few concessions to the pop market, and both undoubtedly fascinating, if overindulgent. The difference is, Street's Disciple goes a step further, indulging all the more in the creative whims of Nas. And, with the exception of some first-disc throwaways, the result is nothing short of astounding, especially if you've followed Nas over the course of his first decade. Catchy hooks are few and far between here, granted, with most of the songs crafted as if they were freestyle raps. This works, though, because Nas benefits from outstanding productions, a peerless rap style, and an interesting back-story. The 25 productions here are all courtesy of longtime Nas collaborators Salaam Remi, Chucky Thompson, and L.E.S., with only a couple exceptions (Nas produces a couple himself). These guys know Nas better than anyone, and they deliver the goods: hardcore beats for the streets, usually laced with an inventive sample for a hook effect. These riffs offer Nas ample room to let loose, and he does precisely that on one track after another, often touching upon a specific theme yet doing so in a loose, free-associative manner that highlights his talent for wordplay and storytelling. Within his raps, Nas often mines his own past, present, and future: for instance, he touches upon his heritage ("Bridging the Gap"), his impending marriage ("Getting Married"), his eventual death ("Live Now"), his influences ("U.B.R."), his most memorable female conquests ("Remember the Times"). All of this amounts to a lavish album sure to dazzle true hip-hop heads, who will find much to admire and study here, from the especially deep and twisted raps to the sample-rich productions. On the other hand, all of this also amounts to an album that might prove somewhat impenetrable to those who aren't already attuned to the legacy of Nas. Either way, Street's Disciple is another key album in that ongoing legacy, further evidence that Nas is back on track after falling off during the late '90s with I Am and Nastradamus. It's not a perfect album -- it's far too indulgent for that -- and would have been stronger as a single disc, but its ambitious sprawl makes for a powerful statement that Nas disciples will surely savor. ~ Jason Birchmeier, Rovi
Street's Disciple
2004 | Sony
-
CD
$14.99STREET'S DISCIPLE
11/30/2004
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LP
$39.99STREET'S DISCIPLE
11/30/2004
Videos from Street's Disciple
All Music Guide Review
Street's Disciple Track Listing
Credits of Street's Disciple
- Herb Middleton
- Bass, Keyboards, Producer
- Mimi
- Assistant Engineer
- Q-Tip
- Producer
- Salaam Remi
- Organ, Synthesizer, Piano, Drums, Executive Producer, Horn Arrangements, Vocal Producer, Instrumentation, Mixing, Fender Rhodes, Producer, Strings, Guitar, Bass
- Buck Wild
- Producer
- Gary Noble
- Engineer
- J. Brown
- Composer
- B. White
- Composer
- Nut
- Keyboards, Producer
- Colin Miller
- Assistant Engineer
- Kevin Crouse
- Engineer, Mixing
- Chucky Thompson
- Bass, Guitar, Piano, Producer, Hi Hat, Instrumentation, Associate Producer, Shaker, Drums, Percussion
- Carlton Lynn
- Engineer
- Eddie OLoughlin
- Producer
- Danny Clinch
- Photography
- L.E.S.
- Drums, Programming, Producer, Executive Producer, Mixing, Instrumentation
- Ryan Evans
- Assistant Engineer
- A. Baker
- Composer
- J.K. Simmons
- Composer
- Nikki Martin
- Coordination
- R. Stone
- Composer
- John Adams
- Strings, Fender Rhodes
- B.H. Edwards
- Composer
- Amerie
- Vocals (Background)
- Chris Feldmann
- Art Direction, Design
- Alex Ndione
- Assistant Engineer
- Patrick Cahalan
- Graphic Design
- L. David Lewis
- Composer
- Mike "The Razor" Brinkley
- Associate Producer, A&R
- Tiffany Hasbourne
- Stylist
- Justin Cohen
- Imaging
- Nasir "Nas" Jones
- Composer, Executive Producer
- Makeba Riddick
- Vocals (Background)
- Ben Kane
- Assistant Engineer
- Katherine Bostic
- Vocals
- DJ No Request
- Scratching
- David Downing
- Cello
- Debora Francis
- Prop Stylist
- Jesse Gladstone
- Assistant Engineer
- Bernardo "Nardo" Williams
- Producer
- Jaye Wynn
- Assistant Engineer
- Quan
- Performer
- Mark Rinaldi
- Assistant Engineer, Mixing Assistant
- Bruce Purse
- Trumpet, Flugelhorn
- DJ Chuck Chillout
- Supervisor
- Olu Dara
- Guitar, Vocals, Hook, Composer, Harmonica, Trumpet
- Lightnin' Rod
- Composer
- Nas
- Composer, Producer, Instrumentation
- G. Clinton, Jr.
- Composer
- Doug E. Fresh
- Beat Box
- Chris Gehringer
- Mastering
- Kool & the Gang
- Composer
- Vincent Henry
- Clarinet, Flute, Guitar, Harmonica, Strings, Sax (Alto), Sax (Baritone), Sax (Tenor)
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