Le Tigre

Kathleen Hanna may have left her riot grrrl guitar crunch behind in the ashes of fem-rock pioneers Bikini Kill, but she has not abandoned her patented energy, rage and rock chops at all. Although Hanna and her Tigre homies Johanna Fateman and J.D. Samson helped as much as anyone get the electroclash movement off of the ground, Le Tigre's This Island has way more in common with Sleater-Kinney than it does with Trans Am or old-school electro-art-popsters like Devo, despite a passing surface resemblance.

Whether it's the incendiary "Seconds" (which sounds like it leapt right off of Bikini Kill's Pussy Whipped) and "TKO," both of which feature Hanna in full banshee mode, or the seductive digi-bop of "Viz" and "Tell You Now," This Island is a triumph from beginning to end. It could've ended up much worse than this: The fiercely independent Hanna and company took a risk when they abandoned the indie labels for Universal, a major-label Godzilla that has done as much harm as good to the music industry in recent years. But if Tigre fans jump off the bandwagon now, it would be a shame, because This Island is the best record the band has made to date. -- Scott Thill, Morphizm.com

The wails of riot grrrls ages 7 to 77 echoed throughout the music world (and as a result, Internet message boards) when Le Tigre announced that their next release would be on Universal, the complete antithesis to riot grrrl pioneer Kathleen Hanna's ethos for over a decade. Longtime devotees waited with baited breath and questions of anticipation as their formidable heroes completed This Island. Would it be nearly as good as the band's previous endeavors? Was Universal picking them up merely to savor the last morsels of the electroclash movement they so sorely (and in some respects, thankfully) missed out on? The answer to both questions is yes and probably. This Island is just as strong, if not stronger, than anything in Le Tigre's oeuvre. J.D., Kathleen, and Johanna have crafted an album that stays true to their roots, the album they've been wanting to make since their first demos thanks to what could possibly be attributed to a most generous advance in their contract and the able assistance of the legendary Ric Ocasek behind the mixing desk. The album is punchier than previous releases but doesn't sacrifice their core aesthetics in favor of shifting trends. The stylish but visceral lyrics are still here in full force, especially in the searing "Seconds." A prom-tastic version of the Pointer Sisters' '80s classic "I'm So Excited" brings the album to a most fitting climax before the group hits the road again with its tour-diary "Punker Plus." It's definitely an album that's going to have the purists sighing with relief and have new converts checking out their back catalog for more. But the best part of all this is that it sounds like they're having fun, something that is sometimes noticeably and sorely vacant in what could be easily construed as a major boys club of laptops and analog rack gear. Of all the groups Universal could have chosen from this tired, depressing movement, they certainly chose the most honest and promising of the bunch and one whose full potential is just now starting to flourish. ~ Rob Theakston, All Music Guide