Grizzly Bear's debut offers up a lysergic brand of minimalist psychedelic folk perfect for those who find Elliott Smith's early work a bit too accessible and upbeat. Marking an evolution from one-man home recording project to full-fledged quartet, the studio-recorded Horn of Plenty features a mostly melancholy mix of acoustic guitars, reeds, retro organs, and samples, all drenched in enough acid-washed effects to give Devendra Banhart flashbacks. Frontman Ed Droste's weary, somnambulistic vocals work well with the slackadaisical melodies to create an unsettling atmospheric sound full of shimmering shadows. Songs like the opening "Deep Sea Diver" and the mesmerizing "Shift" crawl along at an almost funereal pace, the latter featuring what sounds like a scratchy Gramophone recording of a piano augmented only by echoing whistles, clapping, trippy found sounds, and weirdly hypnotic multi-tracked vocals. The expanded lineup and production budget have done nothing to change the group's lo-fi approach, which produces a murky sound that unfolds like a narcotic dream you can't quite shake upon waking. This is the kind of album you'll want to listen to late at night, perhaps a few sheets to the wind, with lights off and headphones on to allow these creepy, quiet little tunes to worm their way into your subconscious. ~ Bret Love, All Music Guide
Horn of Plenty (bonus CD)
11/08/2005
All Music Guide Review
Horn of Plenty (bonus CD) Track Listing
Horn of Plenty (bonus CD) Notes
Exactly one year after the original release of Grizzly Bear’s
Horn of Plenty comes a special re-release, containing a second
bonus disc of 17 remixes, featuring Dntel (of the Postal Service),
Soft Pink Truth (Matmos), Castanets (on Sufjan Steven's Asthmatic Kitty), Final
Fantasy (TomLab), Efterklang (who have licensed the record for Scandinavia),
Simon Bookish, Ariel Pink (Paw Tracks), Hisham Bharoocha (formerly of Black
Dice) & Rusty Santos (Animal Collective producer), and more indie-rock stars.
The original release caught the indie world by storm, bridging the gap between
Nick Drake and Animal Collective. The record received glowing reviews from
Spin, V, Out, and Time Out NY. And after touring, the live show, more psychedelic
in nature, received rave reviews from PitchforkMedia and other local papers,
including Seattle’s The Stranger, who invited the band out to play a papersponsored
laser-light show to 400+ sold out crowd.


















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