Larry Appelbaum, the recording lab supervisor at the Library of Congress, came across this tape by accident while transferring the library's tape archive to digital. What a find. Forget the Five Spot recording that sounds like it was recorded inside of a tunnel from the far end. The sound here is wonderfully present and contemporary. More importantly, this band -- which also included drummer Shadow Wilson and bassist Ahmed Abdul-Malik -- had it right on November 29, 1957, at Carnegie Hall. The John Coltrane on this date is far more assured than he had been four months earlier on the Five Spot date and on the initial Prestige side Thelonious Monk with John Coltrane. He'd been with Monk for four months and had absorbed his complex, multivalent musical system completely. It's clear from the opening track, "Monk's Mood," where the pair play in duet, that Coltrane is confident and moving into his own. Monk feels that confidence with his nearly Baroque entrance on the tune. This is a hard-swinging band with two front-line players who know how to get the best from one another. Coltrane knows the music inside out and his solos reflect an early version of his sheets of sound methodology. Check the joyous "Crepuscule with Nellie" for the hard evidence. Coltrane's cue and Monk's arpeggios are wondrous, swinging, and full of fire and joy. Trane's fills on the melody that leads into his solo are simply revelatory, and the solo itself is brilliant. Or check Wilson's cymbal work on "Nutty" before the band kicks it in full force. Even on the knottiest of Monk's tunes, "Epistrophy," Trane shines and takes charge of his instrument while being utterly receptive to the continual shape-shifting Monk put into his compositions in a live setting. There are nine tunes here (an incomplete version of "Epistrophy" finishes the set) taken from early and late performances. These 51 minutes of music leave the Live at the Five Spot date in the dust. This is one of those "historic" recordings that becomes an instant classic and is one of the truly great finds in jazz lore. It documents a fine band with its members at the peak of their powers together. The package also contains voluminous liner notes by the likes of Ira Gitler, Amiri Baraka, Ashley Khan, Stanley Crouch, and others. This is a must-have. ~ Thom Jurek, All Music Guide
At Carnegie Hall
09/27/2005 | Blue Note Records
All Music Guide Review
At Carnegie Hall Track Listing
At Carnegie Hall Notes
from Blue Note:
Thelonious Monk Quartet with John Coltrane- At Carnegie Hall
This never-before heard jazz classic documents one of the most historically important working bands in all of Jazz history, a band that was both short-lived and, until now, thought to be frustratingly under-recorded. The concert, which took place at the famed New York hall on November 29, 1957, was preserved on newly-discovered tapes made by Voice of America for a later radio broadcast that were located at the Library of Congress in Washington DC earlier this year.
Monk and Coltrane had been working together for a solid four months by the time they set foot on stage at Carnegie Hall that night. By all accounts, Coltrane had been tentative early on in the Five Spot run, challenged at first by Monk's quirky melodies and chord changes, but the 51 minutes of music captured in pristine sound quality on At Carnegie Hall, present the quartet, which was completed by bassist Ahmed Abdul-Malik and drummer Shadow Wilson, at the height of their powers.
The tapes from that evening at Carnegie Hall were inadequately labeled, filed away amongst the Voice of America’s vast collection of recordings, and apparently forgotten until January 2005 when Larry Applebaum, a supervisor and jazz specialist at the Library of Congress, came upon them by accident during the routine process of digitally transferring the Library’s collection for preservation purposes. Applebaum noticed a set of tapes simply labeled "sp. Event 11/29/57 carnegie jazz concert (#1)," with one of the tapes barring the sole marking "T. Monk." Until now, remarkably little recorded documentation of Monk’s quartet with Coltrane has been known to exist, a fact that makes this finding all the more significant.
Credits of At Carnegie Hall
- T.S. Monk
- Producer, Photo Courtesy
- Bruce Lundvall
- Executive Producer
- Gordon Jee
- Creative Director
- Lewis Porter
- Liner Notes
- Ashley Kahn
- Liner Notes
- Burton Yount
- Art Direction, Design
- James Dellatacoma
- Assistant Engineer
- Chris Cofoni
- A&R
- Perry Greenfield
- Product Manager
- Larry Appelbaum
- Liner Notes
- Kenneth Lee Karpe
- Concert Producer
- Robin D.G. Kelley
- Liner Notes
- Felix Sockwell
- Cover Illustration
- Michael Fossenkemper
- Mastering
- Amiri Baraka
- Liner Notes
- Stanley Crouch
- Liner Notes
- Michael Cuscuna
- Producer
- Ira Gitler
- Liner Notes













Plus