1100 Bel Air Place (Bonus Track)
08/29/2006 | Sony
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CD
$11.991100 BEL AIR PLACE (BONUS TRACKS) (RMST)
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CD
$27.991100 BEL AIR PLACE (BONUS TRACK) (JPN)
Lyrics from 1100 Bel Air Place (Bonus Track)
All Music Guide Review
1100 Bel Air Place was designed as Julio Iglesias' breakthrough to the American audience, finding the Latin superstar recording with producer Richard Perry -- the architect behind blockbusters by Barbra Streisand, Ringo Starr and Harry Nilsson -- and duetting with such established American superstars as Diana Ross, Stan Getz, the Beach Boys and Willie Nelson. The latter, of course, provided Iglesias with the key to his crossover with a duet on Hal David and Albert Hammond's "To All the Girls I've Loved Before," a song that became ubiquitous in 1984. If 1100 Bel Air Place is a bit too tied to that year -- not just through the presence of its blockbuster hit, but also through Perry's cavernous '80s production, a brittle affair where even studio pros sound like synthesizers -- it is nevertheless a testament to the commercial savviness of all involved. Perry captured the sound of adult contemporary radio circa 1984 just perfectly, creating the ideal vehicle for Iglesias' smooth vocals, which skirted just on the edge of being schmaltzy but never went over that edge. The material was well selected -- heavy on Hammond songs, including his other signature song "The Air That I Breathe" and "Moonlight Lady," and it was expertly executed according the conventions of mid-'80s soft rock. As a matter of fact, apart from "Me Va, Me Va" (also written by Hammond) and the accent in Iglesias' voice, this could pass as a straight-up adult contemporary record from the '80s -- which is why it was a hit, turning Iglesias into a true star in America, the one market he hadn't conquered -- but it's also why 1100 Bel Air Place may sound a little too dated to some ears: it is truly, thoroughly, an artifact of its time. But according to those standards, it works very well, and even if the sound of the record don't necessarily hold up, it's still easy to listen to this and realize exactly how it made Julio Iglesias a star in 1984. [1100 Bel Air Place was reissued in 2006 in a remastered version containing a bonus track, "I Don't Want to Wake You."] ~ Stephen Thomas Erlewine, All Music Guide
1100 Bel Air Place (Bonus Track) Track Listing
Credits of 1100 Bel Air Place (Bonus Track)
- Jacqueline Lustgarten
- Celli
- Virginia Majewski
- Viola
- Richard Marx
- Vocals (Background)
- Lew McCreary
- Trombone
- Steve Mitchell
- Synthesizer, Keyboards, Fender Rhodes
- Dick Nash
- Trombone
- Bill Nuttycombe
- Violin
- Richard Page
- Vocals (Background)
- Richard Perry
- Producer, Original Recording Producer
- Greg Phillinganes
- Synthesizer, Fender Rhodes, Keyboards
- Stanley Plummer
- Violin
- Mike Porcaro
- Bass
- John Rosenberg
- Contractor
- Bob Sanov
- Violin
- Sheldon Sanov
- Violin
- Bill Scheniman
- Engineer
- Haim Shtrum
- Violin
- Marshall Sosson
- Violin
- David Speltz
- Celli
- Stephanie Spruill
- Vocals (Background)
- Neil Stubenhaus
- Bass
- Robert Sushel
- Violin
- Wally Traugott
- Mastering
- John Van Tongeren
- Synthesizer, Fender Rhodes, Keyboards
- Carlos Vega
- Drums
- Gabe Veltri
- Engineer
- Gerald Vinci
- Violin
- Brad Warnaar
- French Horn
- Maxine Willard Waters
- Vocals (Background)
- Shari Zippert
- Violin
- Julie Adams
- Dialect Coach
- Dick Hyde
- Trombone
- Waters, Julia
- Vocals (Background)
- Joe Goodman
- Violin
- Suzie Katayama
- Copyist
- Douglas David
- Celli
- Rafael Ferro
- Synthesizer, Keyboards, Fender Rhodes
- Ramon Arcusa
- Arranger, Track Arrangement, Original Recording Producer, Producer
- Dave Schwartz
- Viola
- Steve Schmitt
- Engineer
- Reg Hill
- Violin
- Jules Chaikin
- Contractor
- Harry Langdon
- Photography
- David Dubow
- Assistant Engineer
- Henry Ferver
- Violin
- Javier Paz
- Design
- Fred Seydora
- Celli
- Michael Brooks
- Engineer
- Tony Renis
- Arranger
- Andres Victorin
- Copyist
- Stuart Furusho
- Engineer
- Tom Burleigh
- Project Director
- David E. Williams
- Guitar
- Abe Laboriel, Jr.
- Bass
- Bobby Gerber
- Assistant Engineer
- Vlado Meller
- Reissue Producer, Mastering
- Stan Ackerman
- Viola
- Ron Cooper
- Celli
- Art Paul Schlosser
- Copyist
- Larry Hall
- Trumpet, Brass
- Steven "Steve O" George
- Vocals (Background)
- Tom Kelly
- Vocals (Background)
- Roger Menz
- Project Director
- Charles Davis
- Trumpet, Brass
- Leila Cobo
- Liner Notes
- Julio Iglesias
- Vocals
- David Foster
- Synthesizer, Keyboards, Fender Rhodes
- Albert Hammond
- Associate Producer
- Nicky Hopkins
- Synthesizer, Arranger, Fender Rhodes, Keyboards
- Marilyn Baker
- Viola
- Richard Todd
- French Horn
- Lillian Glass
- Dialect Coach
- John Barnes
- Synthesizer, Arranger, Keyboards, Track Arrangement, Fender Rhodes
- Arnold Belnick
- Violin
- Meyer Bello
- Viola
- Les Benedict
- Trombone
- Michael Boddicker
- Synthesizer, Keyboards, Fender Rhodes
- Alexandra Brown
- Vocals (Background)
- Robbie Buchanan
- Synthesizer, Track Arrangement, Fender Rhodes, Arranger, Keyboards
- Erich Bulling
- Horn Arrangements, Brass Arrangement
- Kenny Cetera
- Vocals (Background)
- Terry Christian
- Engineer
- Michel Colombier
- Synthesizer, Arranger, String Arrangements, Fender Rhodes, Keyboards, Track Arrangement
- Luis Conte
- Percussion
- Larry Corbett
- Celli
- Paulinho Da Costa
- Percussion, Percussion Arrangement
- Isabelle Daskoff
- Violin
- Didier C. Deutsch
- Reissue Producer
- George Doering
- Guitar
- Assa Drori
- Violin
- Nathan East
- Bass
- Larry Ferguson
- Engineer
- Chuck Findley
- Trumpet, Brass
- Michael Fisher
- Percussion
- Tom Fouce
- Engineer
- Humberto Gatica
- Engineer, Mixing
- Pamela Goldsmith
- Viola
- Gary Grant
- Trumpet, Brass
- Larry Greenhill
- Engineer
- Allan Harshman
- Viola
- Jerry Hey
- Trumpet, Brass
- Randy Kerber
- Synthesizer, Keyboards, String Arrangements, Track Arrangement, Fender Rhodes, Arranger
- Michael Landau
- Guitar
- Kathleen Lenski
- Violin
- Charles Loper
- Trombone
- Willie Nelson
- Vocals
- Ray Kelley
- Celli
- The Beach Boys
- Vocals
- Diana Ross
- Vocals
- Brian Wilson
- Vocal Arrangement
- Stan Getz
- Saxophone, Sax (Tenor), Soloist
- James Newton Howard
- Synthesizer, Keyboards, Fender Rhodes
- Jeremy Lubbock
- String Arrangements
- Bill Reichenbach Jr.
- Trombone















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