James Harman

James Harman is incapable of making a bad album. Here, as in any of his previous releases, his vocals and harmonica playing are prominently featured. His writing is better than average, and he portrays the common themes of the blues in a collection of songs about gambling and love. His full, Southern gospel-inflected vocals are always a treat to listen to, and he plays electrified harp in the Little Walter style with the best of them. As always, his choice of sidemen, especially guitar players, is first-class. They embody the sound of jump blues from the late '40s and Chicago in the '50s and add considerable spark to the album. On three cuts, Harman plays some very tasty acoustic harmonica, a la Sonny Boy Williamson II, which show his mastery of the instrument even without the excitement which amplification adds. It's good to see James Harman keeping the flame of postwar urban blues burning so brightly. ~ Sigmund Finman, All Music Guide