The title cut of Bill Kirchen's seventh solo album, Hammer of the Honky-Tonk Gods, is a loving tribute to the Fender Telecaster, the axe that's been Kirchen's instrument of choice since he started picking with Commander Cody and His Lost Planet Airmen in 1967, but while there's plenty of fine guitar work on this album (which from Kirchen should go without saying), this isn't the straight-ahead honky tonk session you might expect given Kirchen's back catalog. While the title cut and "Get a Little Goner" would sound great pouring out of any beer joint's jukebox, Hammer of the Honky-Tonk Gods is one of Kirchen's most eclectic sets to date, with the bandleader demonstrating his skills on the acoustic swing of "One More Day," offering up a slow and slinky cover of "Devil with a Blue Dress On," laying out some prime rockabilly on "Heart of Gold" that would do the Sun Studio proud, delivering a potent countrypolitan weeper in "Skid Row in My Mind," and closing out the set with a tear-jerking version of Arthur Alexander's "If It's Really Got to Be This Way." (Even more significantly, there isn't a single song about trucks to be found!) While Kirchen is still a top-rank guitar man judging from his work here, these sessions find him laying back just a bit, and rather than blazing through his solos, he aims for an ensemble feel, and with his band for these sessions including Nick Lowe, Geraint Watkins, and Robert Trehern, that sounds like a sound strategy on his part. Bill Kirchen has been making fine albums for quite a while, but he's stretched his boundaries a bit with Hammer of the Honky-Tonk Gods, and the result is 11 top-notch tunes that show just how many things he can do well; it's fun and impressive stuff from a true master of American roots rock. ~ Mark Deming, Rovi
Hammer of the Honky-Tonk Gods
2007 | Proper Records Us
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CD
$15.99HAMMER OF THE HONKY TONK GODS
01/30/2007
All Music Guide Review
Hammer of the Honky-Tonk Gods Track Listing
Hammer of the Honky-Tonk Gods Notes
From his twanging tribute to the Fender Telecaster guitar that he plays (and which he notes “was born at the junction of form and function”) to the soulful closing of Arthur Alexander’s “If It’s Really Got To Be This Way,” Bill Kirchen covers a wide swatch of musical terrain on his new album, Hammer of the Honky-Tonk Gods.
Best known for his trademark big-rig guitar on the Commander Cody & His Lost Planet Airmen single “Hot Rod Lincoln,” which went Top 10 in 1972, Kirchen has amassed a respectable catalog of seven critically acclaimed albums that helped crystallize the format now known as Americana (pioneered by acts like Commander Cody some 35 years ago).
On the new album, Kirchen reunites with friends who have accompanied him on recent albums. Nick Lowe, who refers to Kirchen as “a devastating culmination of elegant and funky,” signs on as bassist and backing vocalist. Robert Trehern plays drums; Geraint Watkins and Austin DeLone man the keyboards. Paul Riley and Kirchen co-produced. For this album, Kirchen decided to put an accent on his songwriting, a talent that is sometimes overshadowed by his dazzling instrumental virtuosity.
Credits of Hammer of the Honky-Tonk Gods
- G. Nicholson
- Composer
- Paul Riley
- Producer, Engineer
- Austin DeLone
- Keyboards, Vocals (Background)
- Robert Trehern
- Drums
- Jeff Covert
- Engineer
- W.S. Stevenson
- Composer
- Bucky Lindsey
- Vocals
- Blackie Farrell
- Composer
- Alex McCollough
- Mastering
- Lisa Best
- Vocals
- Erik Carstensen
- Engineer
- Git Gals
- Vocals
- Suzannah
- ?
- Geraint Watkins
- Keyboards, Vocals (Background)
- Bill Kirchen
- Producer
- Cindy Cashdollar
- Guitar (Steel)
- Jim DeMain
- Mastering
- Dave Gonzales
- Vocals
- Danny Levin
- Fiddle, Engineer
- Nick Lowe
- Bass, Vocals (Background)
- Chris Gaffney
- Vocals












