Mando Diao debuted in 2003, pitched as a swaggering, garage-rocking cousin to their Swedish countrymen the Hives. On their polished and assured Ode to Ochrasy the quintet still bears resemblance to the Hives, the Strokes, et al., but increasingly emphasizes their soul and British Invasion influences. Those more classic-oriented touchstones emerge especially during the later stretch of the album, which is conceptualized as a travelogue devoted to "ochrasy"—a word invented by the band to describe the hazy hours between the end of a Mando Diao show and the dawn of the next day.
Fittingly, then, the album begins with its best pair of rockers, both built on memorable choruses and brash riffs. But a promising, party-starting beginning soon gives way to a stretch of catchy but anonymous Brit-rock and the emergence of an almost-always-unappealing theme: fame's many hazards and frustrations. Mando Diao take too long to reestablish momentum, but Ochrasy's closing third covers an impressive amount of ground—from chill-out soul to orchestral pop to McCartney-esque lite-rockers—and shows a clear talent for appealing to a broad audience.
- Adam McKibbin
04.23.07
Ode to Ochrasy
04/24/2007 | Mute U.s.
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CD
$13.99ODE TO OOCHRASY (ENH)
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CD
$21.99ODE TO OCHRASY (HK)
Ode to Ochrasy Review
Ode to Ochrasy Track Listing
Ode to Ochrasy Notes
The themes of Ode To Ochrasy were born out of the band’s experiences on the road, while supporting Hurricane Bar. The band was most taken by “ochrasy” a term which they made up for those wee hours of the night, after the show, post-afterparty, before the start of the next day. It is a place and a state of mind somewhere between dream and reality. As frontman Björn Dixgard describes it, ochrasy is “that hallucinatory world you enter around four and five in the morning…a sort of utopian world where anything can happen, where everything is allowed.” On the road, the men of Mando Diao would frequently meet strange characters after their shows, stroll desolate streets near the clubs they played at, and close out creepy dive bars. All of these experiences inspired the songs on Ochrasy, where lyrics reference the characters they met on the road, and the bizarre encounters the band had in those early hours of the morning.
Recorded over the Spring of 2006, Ode To Ochrasy, was produced by Mando Diao, with early help from friend Björn Olsson (formerly of Soundtrack of Our Lives). Olsson was instrumental in making the band focus on the big picture of the album, rather than focusing on the tiny details. Bassist CJ Fogelklou recalled “Working with Björn really made us learn how to to capture the right feeling when you’re recording…This time we’ve been listening more to the general feeling and how we play together, instead of worrying too much about details.” After Olsson kickstarted the album in motion, the band took over as producers, enlisting mixer Owen Morris (Oasis, The Verve, New Order) to round out the sound.
Credits of Ode to Ochrasy
- Owen Morris
- Mixing
- Pontus Olsson
- Engineer
- Tim Young
- Mastering
- Björn Olsson
- Producer, String Arrangements
- Goran Kajfes
- Trumpet, Horn Arrangements
- Pelle Gunnefeldt
- Engineer
- Fredrik Wennerlund
- Photography, A&R
- Björn Dixgärd
- Guitar, Group Member, Vocals
- Carl Johan Fogelklou
- Vocals (Background), Bass (Electric), Group Member
- Samuel Giers
- Percussion, Drums, Group Member, Vocals (Background)
- Jon Wentzel
- Photography
- Gustaf Norén
- Guitar, Horn Arrangements, Vocals, Group Member
- Andreas Forsman
- Violin



















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