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  • How Low Can You Go: Anthology of the String Bass (1925-1941) (Box Set)

    How Low Can You Go: Anthology of the String Bass (1925-1941) (Box Set)

    11/28/2006 | Dust To Digital 

    • CD

      $53.99

      HOW LOW CAN YOU GO: ANTHOLOGY OF THE STRING / VAR

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    All Music Guide Review

    This three-disc, 79-track box set of vintage string bass sides recorded between 1925 and 1941 from Atlanta's marvelous Dust-to-Digital folks can be listened to in a couple of different ways. It works as a survey of 78-rpm era bass players, certainly, including cuts from Bill Johnson, Walter Page, Al Morgan, and many others, but due to its wide-ranging inclusion of jazz, swing, blues, country, jug band, Western swing, and gospel material, it can also work as a wonderfully upbeat set of vintage American roots music, and one doesn't necessarily need to be a string bass player or music historian to get into it. It isn't a collection of bass solos, either, although there are plenty of those scattered through the tunes, but is rather a look at how this instrument was used in a wide variety of settings. Among the high points are "Dinah" by Jean Goldkette & His Orchestra, a funky "Bull Frog Blues" by Charles Pierce & His Orchestra, a blistering "Tex's Dance" from the Prairie Ramblers, a delightfully loose version of "Mama Don't Allow" called "Don't 'Low" from Washboard Sam, and two takes by the Midnight Rounders of "Bull Fiddle Rag." Fun from start to finish, How Low Can You Go? is like a great cross-genre American barn dance in a box. Another great set from Dust-to-Digital. ~ Steve Leggett, All Music Guide

    How Low Can You Go: Anthology of the String Bass (1925-1941) (Box Set) Track Listing

  • Track#
  • Title
  • Artist
  • time
  • lyrics
  • 16
  • So Tired
  • 3:17
  • Sound Clip for So Tired from How Low Can You Go: Anthology of the String Bass (1925-1941) (Box Set)


  • How Low Can You Go: Anthology of the String Bass (1925-1941) (Box Set) Notes

    from Dust to Digital: "All over New York it has been noticed that, with most of the prominent bands, the string bass alias "bull fiddle," alias "dog house," is replacing the tuba. Leaders agree that the string bass has a far greater carrying power than the tuba, and that it blends much more effectively." — Billboard Magazine, April 10, 1926

    "The vibrations on that bass violin shattered the wax." — Recording engineer to Ausie B. Grigg, Memphis, 1928

    "The double bass, which stands beside its player at the rear of the band, is larger than the player himself. Like the cello, it has a spike which rests upon the floor. Owing to the thickness of the strings and because of the great size of the instrument, exceptional strength is required to press down the heavy strings. The bow must be very sturdy. Solo playing on the double bass would seem at first sight to have all the delicacy of an elephant dancing, yet there have been many great solo players." — Indiana Weekly Messenger, April 18, 1935

    Credits of How Low Can You Go: Anthology of the String Bass (1925-1941) (Box Set)



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