The Ponys

On their third record in the past four years, Chicago's Ponys again succeed in crafting an album stuffed with sturdy, psychedelic-inspired guitar jams for the indie-rock set. But if their fan base increases substantially in 2007, more credit will be due to their new label (Matador) than the album itself—which, while mostly engaging, isn't a marked improvement on its predecessors.

Frontman Jered Gummere and new guitarist Brian Case channel some Stones/Stooges swagger with their wiry riffs and Gummere's brash vocals (as a nod to the Stones, one tune is even named "Exile on My Street"). A carnivalesque organ and thumping percussion add further amiable bluster to "Maybe I'll Try," a self-deprecating standout ("Well, I don't know what to do / And I don't know anything about the government, my friends") topped only by the all-cylinders-firing opener, "Double Vision."

There are some murky stretches, though. At times, the Ponys rely too much on density to see them through, and prevent themselves from matching the consistent quality of their influences and kindred spirits—a list that includes Sonic Youth and, to a lesser extent, new labelmates Interpol.

- Adam McKibbin
03.21.07

On their third album (and first for Matador), Chicago noise-pop titans the Ponys offer up a few small but noticeable changes from the approach of their first two albums, Laced with Romance and Celebration Castle. Ian Adams left the band shortly after Celebration Castle was completed, and Turn the Lights Out marks the recorded debut of new guitarist Brian Case, who brings a more controlled and less frantic style to these new songs. Also, while the first two albums were respectively produced by the relatively hands-off Jim Diamond and Steve Albini, Turn the Lights Out was produced by the band with the assistance of John Agnello, and he seems to have imposed a greater degree of discipline on the Ponys -- this is a decidedly cleaner and more disciplined disc than their earlier efforts, though Agnello still honors the deep and echoey sound that's been the band's trademark in the studio. Despite it all, this still sounds like the Ponys, and the changes have done them much more good than harm. Having spent plenty of time on the road with the band before recording Turn the Lights Out, Case has seamlessly integrated with his bandmates, especially Jered Gummere, with whom he's become half of an impressive guitar team. Bassist Melissa Elias and drummer Nathan Jerde back them up with a faultless sense of purposefully woozy swing, and the results are as powerful as anything these folks have put to tape, capturing a juicy, organic give-and-take between the players without squeezing the life out of the music. Agnello's production and engineering offers a wealth of aural detail while creating a strong, unified aural presence. And quite simply, the Ponys sound like champs on this set -- they play with both precision and dark fire, the songs are top-notch, and the epochal closer, "Pickpocket Song," is a masterpiece. Turn the Lights Out is the most mature and technically accomplished album the Ponys have made to date, but it doesn't lack the excitement and edge of the fine music that preceded it, and they've quietly grown into one of the best young bands currently at work. ~ Mark Deming, All Music Guide