From Autumn to Ashes has always thrived on the screaming guy/singing guy dynamic between Ben Perri and Francis Mark. Consequently, it was interesting to see what would happen following lead shrieker Perri's nicely timed 2006 departure, which occurred right before vocals were due to be tracked for Holding a Wolf by the Ears, the Long Island crew's fourth full-length. Instead of recruiting a new pair of lungs, drummer/vocalist/lyricist Mark decided to step out from behind the kit to take over all vocal duties and not just the melodic parts he'd previously been responsible for. Acerbic opener "Deth Kult Social Club" is almost shocking at how fully Mark just goes for the harsh screams, and though Perri's voice was a bit tougher sounding, he does a pretty impressive job taking over the guttural emoting; it's often indistinguishable that the lineup even changed. F.A.T.A. has become increasingly more melodic and accessible as their career has progressed, and that one song aside, Holding a Wolf by the Ears is no different. But that's not necessarily a bad thing, since the guys do still keep the heavy hardcore bottom end around. Super tuneful choruses, as in "Daylight Saving" and "Under Pass Tutorial," mostly drive the proceedings, yet F.A.T.A. never forgets the churning guitars and swirling rhythms (that all inevitably drop into a heavy breakdown) to deliver one tightly wound collection of songs. The newly configured band -- that actually sounds stronger than it has in awhile -- delivers the goods with enough emotional force and power that fans (especially ones who loved 2005's Abandon Your Friends) should eat Wolf right up. ~ Corey Apar, All Music Guide
Holding a Wolf by the Ears
04/10/2007 | Vagrant Records
All Music Guide Review
Holding a Wolf by the Ears Track Listing
Holding a Wolf by the Ears Notes
from Vagrant: “Holding A Wolf By The Ears” is the fourth studio album from Long Island’s From Autumn To Ashes. Their previous 3
albums have sold over 350,000 copies collectively in the US alone and another 75,000 outside the US. Many look at
the band as one of the first to introduce a melodic voice into their music to offset the murderous screaming that
brings the band’s heaviness to the forefront. That ying-yang vocal style has since been copied by hundreds of
bands around the world, none of whom can match FATA’s song writing and catchy hooks. Basically, they’re all just
imitators.
The album brings about a change to the band’s lineup. Original main vocalist Ben Perri left the band, bringing
drummer Fran Mark out from behind the kit. Mark had always handled the vocals for the softer, more harmonious side
of the songs, but now he gets to showcase his incredible talent for screaming as well.
Holding A Wolf By The Ears is heavier, darker, and more evil than any of the band’s previous work. It’s sure to
please old-time FATA lovers (of which there are still many) and newer music fans alike. Bottom line…this is their
best, most original album to date. Time to bring on a whole new set of imitators!
Credits of Holding a Wolf by the Ears
- George Marino
- Mastering
- Brian McTernan
- Producer, Engineer
- Josh Newton
- Guitar (Bass)
- Brian Deneeve
- Guitar
- Paul Leavitt
- Digital Editing
- Francis Mark
- Drums, Drawing, Vocals, Cover Art
- Jeff Gretz
- Drums
- Rob Lauritsen
- Guitar
- Michael Barbiero
- Mixing
- Eric Kaufman
- Design, Layout Design
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