Marvin Gaye's In Our Lifetime came after 1978's confessional and meandering double album Here, My Dear. Although this better set does seem effortlessly conceived, it wasn't that simple. Gaye originally envisioned a "party" album and almost released one called Love Man. After some consideration, Gaye nixed the idea and aimed for an effort that would spotlight his religious concerns. Thankfully, In Our Lifetime splits the difference between the two mindsets. The first single from the aborted Love Man shows up here. "Ego Tripping Out" works as both a parody of the "love man" with a few autobiographical flourishes as he sings, "Got a sweet tooth/For the chick on the floor." Slowly but surely the religious matters do surface here. The buoyant "Praise" has a blithe riff inspired and/or lifted from Stevie Wonder and has Gaye getting his message across without being preachy. Although no song is especially brilliant here, the level of Gaye's musical sense and his vocal prowess carry him throughout. The unfinished and non-Gaye-approved "Far Cry" has lyrics that are steam-of-conscious and are barely decipherable. The mesmerizing "Love Me Now or Love Me Later" has Gaye examining both good and evil with equal skill. The last track, the title song, has Gaye back in the party frame of mind and has great horn charts and a propulsive beat. In Our Lifetime is one of his finest later albums and captures him as his craft was maturing and becoming more multifaceted. [In 2007 Hip-O Select issued an expanded edition of the album.] ~ Jason Elias, All Music Guide
In Our Lifetime (Expanded Love Man Edition)
06/19/2007
All Music Guide Review
In Our Lifetime (Expanded Love Man Edition) Track Listing
Credits of In Our Lifetime (Expanded Love Man Edition)
- Nigel Martinez
- Drums, Rhythm Section
- Kenny Mason
- Trumpet, Horn Section
- Joe Mayo
- Percussion, Rhythm Section
- John Morales
- Mixing
- Sidney Muldrew
- French Horn, Horn Section
- Curtis Anthony Nolen
- Guitar, Rhythm Section
- Nick Patrick
- Engineer, Mixing
- Bill Ravencraft
- Engineer, Mixing, Technical Engineer, Mastering
- Kevin Reeves
- Digital Remastering
- Nolan Andrew Smith
- Trumpet, Music Direction, Soloist, Horn Section
- Art Stewart
- Engineer, Mixing, Mastering
- Carey Taylor
- Assistant Engineer
- Jon Walls
- Engineer, Remixing
- Harry Weinger
- Producer, Liner Notes
- Bugsy Wilcox
- Drums, Rhythm Section
- David Wooley
- Assistant
- David Ritz
- Liner Notes
- Preston Wilcox
- Drums
- Chris Bellman
- Mastering
- Fernando Harkless
- Saxophone
- Ginny Livingston
- Design
- Dr. George Shaw
- Trumpet, Horn Section
- Ron Slenzak
- Photography, Cover Photo
- John Matousek
- Mastering
- Mathieu Bitton
- Art Direction, Design
- Gaylord Holomalia
- Assistant
- Raphael Ravencraft
- Sax (Alto), Horn Section
- Renate Blauel
- Engineer, Remixing
- Simone Sheffield
- Project Manager
- Brenda M. Boyce
- Project Manager
- Ryan Null
- Photo Coordination
- Michele Horie
- Art Direction, Project Manager
- Johnny Lee
- Art Direction
- Rick Asher Keefer
- Engineer
- Neil Breeden
- Cover Illustration
- Fleecy Joe James
- Percussion, Rhythm Section
- Donna Alexa Keefer
- Engineer
- Robert Ahwry
- Guitar, Rhythm Section
- Gordon Banks
- Guitar, Rhythm Section
- Frank Blair
- Bass, Remixing, Rhythm Section, Engineer, Arranger, Drums
- Ray Brown
- Trumpet, Horn Section
- William Bryant
- Keyboards
- Elmira Collins
- Vibraphone, Rhythm Section
- Raymond Crossley
- Keyboards, Rhythm Section
- Reginald Dozier
- Engineer
- Tony Houston
- Engineer
- Gary Jones
- Percussion, Rhythm Section, Conga
- Marvin Gaye
- Synthesizer, Arranger, Drums, Keyboards, Vocals, Vocals (Background), Producer, Fender Rhodes, Mixing, Rhythm Section

















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