Nada Surf continue to strive for indie-pop perfection on Lucky, their fifth studio album, but largely wind up staying the course of their recent albums. The New York trio has had a strange career trajectory thus far, progressing from a major label buzz band with a hit single (1996's "Popular") to a cred-secure cult band with a minor masterpiece to their name (2002's Let Go). Lucky doesn’t live up to those lofty standards, but still merits a recommendation for lovers of straightforward, accessible indie-pop.
Lucky gets off to an auspicious start with "See These Bones," which demonstrates Nada Surf's knack for memorable melodies and gently rousing choruses. Lead singer, Matthew Caws, has a sweet, straightforward vocal style— fragile, but optimistic. On this opener, Caws is joined by fellow frontmen Ben Gibbard (Death Cab For Cutie) and Sean Nelson (Harvey Danger), whose voices add a few extra layers of buoyancy.
While they throw in the occasional odd flourish, like the horn outro to "From Now On" on the latter half of the album, Caws & co. (including producer John Goodmanson) largely stick to their strengths. The downside is that some of Lucky feels like it’s been done before, and done better (by the same band). Though it may be predictable, it’s also quite pleasant—but perhaps more of a diversion album than a destination.
—Adam McKibbin
02.21.08
Lucky
2008 | Barsuk
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CD
$14.99LUCKY (DIG)
02/05/2008
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LP
$16.99LUCKY
06/17/2008
Videos from Lucky
Lucky Review
All Music Guide Review
If Fountains of Wayne create snarky power pop songs for Friday evenings, then Nada Surf is the band for Sunday afternoons. They've grown more emotive over the years, having replaced the sarcasm of 1996's "Popular" with a grown-up focus on pop songcraft and mellow instrumentation. And they've been lucky, too -- lucky in that their audience has remained, their (once rocky) label situation has steadied, and their chops have improved. Appropriately enough, Lucky sounds like a celebration of the band's good fortune. Somber songs are still present, most notably the plaintive closer "The Film Did Not Go 'Round," but most of the album is dominated by steady, mid-tempo pop/rock. Nada Surf spent the first half of the 2000s making subdued rainy day records, which makes Lucky seem downright sunny (if not supernova bright) in comparison. There are some particularly luminous moments here, including the back-to-back punch of "Whose Authority" and "Beautiful Beat," where the songs immediately unleash their hooks and sustain that energy for minutes. "Beautiful beat, get me out of this mess; beautiful beat, lift me up from distress," sings Matthew Caws, sounding restless and happy at the same time, as if he knows his anxiety can be quelled at any moment by the sounds of his brightest record to date. But Lucky never gets lost in that sort of happiness. Nada Surf has seen too much over the past 15 years not to be cautious, and the leadoff track "See These Bones" warns younger bands to be similarly careful with their careers. "Look alive, see these bones," the lyrics advise. "What you are now, we were once -- and just like we are, you'll be dust." As the song ends, three different melodies weave themselves together, all of them instantly memorable and worthy of being a chorus in their own right. So even when Lucky tries to turn down the glow, it still radiates with the oomph of a solid power pop release, making Nada Surf's fifth album a fine finale for a weekend well-spent. ~ Andrew Leahey, Rovi
Lucky Track Listing
Lucky Notes
from Barsuk: Lucky, the title of Nada Surf’s fifth album, is at once literal and ironic. Like the songs that singer-guitarist Matthew Caws, bassist Daniel Lorca and drummer Ira Elliot crafted for their previous two albums, let go (2003) and the weight is a gift (2005), lucky is filled with images of restlessness, longing and the elusiveness of love. Yet the band counterbalances the lyrical bittersweetness with a musical buoyancy. Intimate songs become in-it-together anthems, thanks to the chiming guitars, propulsive rhythms, and the emotional candor in Caws' vocals. A song like beautiful beat segues from a sparsely arranged, confessional first verse into a harmony-laden chorus and reaches multi-layered, canon-like proportions before the track fades out. If Caws is often suggesting that romance and resolution may still be an inch or two out of reach, he's also proffering immediate musical solace. Turn up the volume, hit the repeat button, and your troubles, for a blissful three minutes or so, will disappear.
Credits of Lucky
- Jeremy Zilar
- Photography
- Lorca
- Composer
- Caws
- Composer
- Elliot
- Composer
- George Marino
- Mastering
- Joe McGinty
- Organ
- Lianne Smith
- Vocals
- Nada Surf
- Audio Production
- Phil Wandscher
- Guitar
- Sean Nelson
- Vocals
- Louie Lino
- Piano, Keyboards
- Ed Harcourt
- Piano
- Christopher Walla
- Engineer
- Ben Gibbard
- Vocals
- Coralie Clément
- Vocals, Violone
- John Roderick
- Vocals
- Martin Wenk
- Trumpet, Horn
- Tom Beaujour
- Engineer, Audio Engineer
- Juliette Cezzar
- Art Direction, Design
- John Ziemski
- Assistant Engineer, Audio Engineer
- Greg Peterson
- Composer
- Phillip Peterson
- Cello
- John Goodmanson
- Producer, Engineer, Mixing, Audio Production, Audio Engineer









