Louis Smith had a brilliant debut on this Blue Note album, his first of two before becoming a full-time teacher. The opener (Duke Pearson's "Tribute to Brownie") was a perfect piece for Smith to interpret, since his style was heavily influenced by Clifford Brown (who had died the previous year). He is also in excellent form on four of his basic originals and takes a particularly memorable solo on a haunting rendition of "Stardust." Altoist Cannonball Adderley (who used the pseudonym of "Buckshot La Funke" on this set, a name later used by Branford Marsalis), Duke Jordan or Tommy Flanagan on piano, bassist Doug Watkins, and drummer Art Taylor make for a potent supporting cast, but the focus is mostly on the criminally obscure Louis Smith. After cutting his second Blue Note set and switching to teaching, Smith would not record again as a leader until 1978. All bop and '50s jazz fans are strongly advised to pick up this CD reissue before it disappears. [JCT's RVG remastered 2008 reissue featured an alternate track running order.] ~ Scott Yanow, All Music Guide
Here Comes Louis Smith (RVG)
03/11/2008 | Blue Note Records
All Music Guide Review
Here Comes Louis Smith (RVG) Track Listing
Credits of Here Comes Louis Smith (RVG)
- Tom Wilson
- Producer
- Francis Wolff
- Photography, Cover Photo
- Bob Blumenthal
- Liner Notes
- Reid Miles
- Cover Design
- Amanda Wray
- Reissue Design
- Michael Cuscuna
- Reissue Producer
- Rudy Van Gelder
- Remastering
- Alfred Lion
- Producer
- Cannonball Adderley
- Sax (Alto)
- Leonard Feather
- Original Liner Notes
- Tommy Flanagan
- Piano
- Duke Jordan
- Piano
- Louis Smith
- Trumpet
- Art Taylor
- Drums
- Doug Watkins
- Bass
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