If you were of the opinion that Tindersticks may have gone through some kind of drastic sea change brought on by their five-year hiatus and the absence of founding member and co- architect of their trademark sound, Dickon Hinchliffe, you are dead wrong. The band weathered the storm and on their seventh studio album, The Hungry Saw, the three remaining members of the band retain every last aspect of what made the band special (the inventive arrangements, the cinematic sweep of the songs, Stuart Staples' distinctive vocals) but also manage to sound rejuvenated and fresh at the same time. The last album they made before their split, Waiting for the Moon, seemed like it was just another in a long line of excellent releases by the band. The Hungry Saw is hungrier, more dramatic, and if not exactly urgent, it feels like the work of a band with something to prove. Staples, in particular, brings something extra to both his vocals (clearer than usual and with more bite) and lyrics ("The Hungry Saw" has some of his most powerfully visceral words to date). It is one of his best performances in a long career full of them. The arrangements too are given extra care. The horn arrangements by longtime associate Terry Edwards are superb and the strings sound rich and suitably dramatic on the heavy ballads and breezy on the light ones. The addition of Suzanne Osborne's wordless backing vocals on the lovely and harrowing "All the Love" are a welcome touch of sunshine too. As is the candy sweet melody and acoustic strum of the almost poppy "Boobar Come Back to Me." Not that the record is a smile fest by any stretch, there is still enough chill blowing through it to make your teeth hurt. It wouldn't be a Tindersticks record without that, and songs like "The Other Side of This World" and "Mother Dear" have enough sadness coursing through them to satisfy the needs of any gloom junky who has come to count on the band for a quick fix. Indeed, Tindersticks have never failed to satisfy anyone looking not only for sadness but also those looking for albums that make you feel and songs that will stick with you for a long time. The Hungry Saw is classic Tindersticks. ~ Tim Sendra, All Music Guide
The Hungry Saw
09/16/2008 | Constellation
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CD
$15.99HUNGRY SAW
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CD
$20.99HUNGRY SAW
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LP
$18.99HUNGRY SAW
All Music Guide Review
The Hungry Saw Track Listing
The Hungry Saw Notes
The Hungry Saw is a true return to form for the band, after a five year hiatus (and in spite of the departure of founding
member Dickon Hinchcliffe). Since that time, front-man Stuart Staples relocated to France, released three solo albums,
and built his own Chien Chanceux recording studio, where the new album was made (co-recorded and mixed by
Staples himself). Original members Staples, Boulter and Fraser are augmented by the rhythm section of Tim Belhom
(drums) and Dan McKinna (bass), and this five-piece also forms the core of the Tindersticks new touring line-up
(currently performing in Europe to rave reviews). A long list of guest players was also included in the sessions,
including Terry Edwards on horns and brass arrangements and Lucy Wilkins on lead violin and string arrangements.
While cloaked in the inimitably beautiful, tempered melancholy and delicate irony that has marked Tinderstick’s past
oeuvre, the new album bristles with renewed energy, focus, experimentation and yes, even playfulness. A welcome
return by one of the most interesting and literate English bands of the last two decades.
Constellation’s North American edition of The Hungry Saw features revised artwork printed on a cardstock CD gatefold
jacket, accompanied by a lyric booklet printed on fine artstock recycled paper. The LP release is on 180 gram virgin
vinyl with multiple inserts. The album will also be available as a digital download this summer. Thanks for listening.
Credits of The Hungry Saw
- Joanne Fraser
- Flute
- Sally Hibbert
- Violin
- Lucy Wilkins
- Violin, String Arrangements
- John Dent
- Mastering
- Calina de la Mare
- Violin, String Arrangements
- Sara Wilson
- Cello
- Dave Boulter
- Organ, Percussion, Piano, Guitar
- Julian Siegel
- Clarinet (Bass)
- Neil Fraser
- Guitar (Acoustic), Guitar (Electric)
- Andy Nice
- Soloist, Cello
- Louise Peacock
- Violin
- Caroline Hall
- Trombone
- Dan McKinna
- Vocals, Guitar (Bass)
- Stuart Staples
- Sleeve Art
- Suzanne Osborne
- Vocals
- Thomas Belhom
- Percussion, Drums
- Anna Tjan
- Engineer
- Philip Bagenal
- Engineer
- Ian Caple
- Engineer
- Terry Edwards
- Saxophone, Brass Arrangement, Trumpet


















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