Take the title to Wayne Brady's full-length singing debut as bombastic -- as in "the great Wayne Brady will finally grace us with song" -- and you're missing the point and more importantly, the charm. One listen and A Long Time Coming instantly feels like a reference to Brady's enthusiasm over living the dream, recording R&B that's influenced by Babyface and Luther Vandross, plus a bit of what came before with a touch of adult contemporary. This is grown folks music with a demographic that matches daytime television's but it's hardly contrived. In the case of "Can't Buy Me Love," it's quite inspired with Brady turning the Beatles' chestnut into a slow jam ballad, one perfect for whatever "Pillow Talk" show the local R&B station airs on weeknights. High-top fade and moms who wouldn't let you get Jheri curls are the sweet memories that fill "Back in the Day," a giddy highlight that doesn't blush when gushing over Thundercats, friendship bracelets, and "Members Only/Kid 'N Play/That's how we did back in the day." Just as good and even more old-school is "I Ain't Movin," a finger-snapping mod-soul song featuring authentic farfisa organ and tambourine. With an orchestra behind him, Brady does just fine when walking on hallowed ground and delivering "A Change Is Gonna Come" in way that's both respectful and obviously enamored with Sam Cooke's performance. "F.W.B." stands for "Friends with Benefits" giving the album its raciest moment, with "Ordinary" and the previously mentioned "I Ain't Movin'" both singing the praises of long-term monogamy. Going where Usher won't, the wholesome "All Naturally" gets sugary about that "just woke up" look with "You don't have to wear lipstick/To make me wanna come taste your kisses/You don't have to get your hair did/To make me wanna run my fingers through it." It's that "hair did" line that Celine would never deliver -- at least not as sincerely -- that reminds listeners there's been a gap in adult music since Luther left and Anita Baker became underproductive. With a George Duke guest performance, gorgeously polished production from the Heavyweights team, plus plenty of heart-on-the-sleeve lyrics, Brady helps fill that gap, giving the R&B-loving Mom and Dad their next great date night album. ~ David Jeffries, All Music Guide
A Long Time Coming
09/16/2008 | Peak Records
All Music Guide Review
A Long Time Coming Track Listing
A Long Time Coming Notes
Nominee - 51st GRAMMY® Awards
Best Traditional R&B Vocal Performance
(For solo, duo, group or collaborative performances, with vocals. Singles or Tracks only.)
"A Change Is Gonna Come"
Wayne Brady
Track from: A Long Time Coming
Peak Records/Concord Music Group proudly presents Wayne Brady's debut album, the appropriately titled - A Long Time Coming.
The Emmy Award winner is the consummate entertainer, whose talent truly knows no boundaries. As a stage, screen and live performer Brady is unparalleled.
But now, he turns his attention to his first love: music. The 12-track R&B collection features Brady's own compositions standing side by side with his loving, inspired reinventions of such classics as Sam Cooke's "A Change is Gonna Come," The Beatles' "Can't Buy Me Love" and Stevie Wonder's "All I Do."
"I always thought that Wayne Brady was an amazingly talented performer with an incredible voice," says Andi Howard, president of Peak Records. "When asked by his producers if I would be interested in signing him as an artist to Peak my response was an emphatic, yes. Not only did he deliver a fabulous album, but an album that is extremely heartfelt and exceeded all expectations. It was indeed ‘A Long Time Coming.'"
Brady linked with The Heavyweights, the superstar production team composed of Jack Kugell, Jamie Jones and Jason Pennock, to write and record the album. The Heavyweights' productions have sold more than 28 million albums and include work with such superstars as Jim Brickman, Martina McBride and Destiny's Child.
First single, "Ordinary," is a mid-tempo burner that pays tribute to the glorious simplicity found in every day life and love. Penned by the Heavyweights, Sarah Nagourney and Welford B. Walton II, the song is enhanced by Brady's nuanced, soulful delivery.
Credits of A Long Time Coming
- Andrew Wuepper
- Assistant Engineer
- Bob McChesney
- Trombone
- Kevin Mills
- Assistant Engineer
- Victoria Miskolszy
- Viola
- Dave Pensado
- Mixing
- Joel Peskin
- Saxophone
- David Rideau
- Engineer, Mixing
- David Ryan
- Trombone
- Josephina Vergara
- Violin
- Brad Warnaar
- French Horn
- Randy Waldman
- Piano
- Ernie Watts
- Saxophone
- Mark Wexler
- Executive Producer
- Ken Yerke
- Violin, Concert Master
- Robert Zimmitti
- Cymbals, Tympani (Timpani)
- Matt Funes
- Viola
- Suzie Katayama
- Conductor, String Arrangements
- Mario Diaz de Leon
- Violin
- Kevin Connolly
- Violin
- Wayne Bergeron
- Trumpet
- Andi Howard
- Executive Producer
- Andrew Martin
- Trombone
- Michael Valerio
- Bass
- Thomas Dienner
- Viola
- Mark Robertson
- Violin
- Jay Hall
- Assistant Engineer
- Philip Vaiman
- Violin
- Jason Pennock
- Piano, Programming, Drum Programming, Mixing, Piano Programming, Producer, Arranger
- Monty Neuble
- Programming
- Aaron Walk
- Assistant Engineer
- Paul "Scooby" Smith
- Assistant Engineer
- Teddy Campbell
- Drums
- Cat Gray
- Synthesizer, Talk Box
- Shalini Vijayan
- Violin
- Larry Hall
- Trumpet
- Stephanie OKeefe
- French Horn
- Gerardo Hilera
- Violin
- Audrey Solomon
- Violin
- Craig Gosnell
- Trombone
- Andrew Radford
- Bassoon
- Steve Richards
- Cello
- Wayne Brady
- Vocals, Vocals (Background), Executive Producer
- George Kim Scholes
- Cello
- Wesley Seidman
- Assistant Engineer
- Searmi Park
- Violin
- Robert Brophy
- Viola
- David Ryan Harris
- Vocals (Background)
- Jamie, Carol, And James Jones
- Arranger, Drum Programming, Programming, Producer, Vocals (Background)
- Alex Al
- Bass
- Dave Carpenter
- Bass
- Oskar Cartaya
- Bass
- Larry Corbett
- Cello
- Darrell Crooks
- Guitar
- Keith Fiddmont
- Saxophone
- Stefanie Fife
- Cello
- Armen Garabedian
- Violin
- Diane Gordon
- Vocals (Background)
- Gary Grant
- Trumpet
- Jerry Hey
- Arranger, Conductor
- Dan Higgins
- Clarinet (Bass), Saxophone
- Alexander Iles
- Trombone
- Paul Jackson, Jr.
- Guitar
- Jamey Jaz
- Arranger, Programming, Producer, Vocals (Background)
- Martin Kember
- Vocals (Background)
- Jack Kugell
- Arranger, Producer, Programming
- Nathaniel Kunkel
- Engineer
- Razdan Kutumjain
- Violin
- Bill Liston
- Saxophone
- Warren Luening
- Trumpet
- George Duke
- Piano, Piano (Electric)
- Bruce Fowler
- Trombone
- Jeremy Lubbock
- Arranger













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