Given the state of reunion albums, the average rate of success is usually one in ten if that; ergo, Labelle's first offering since 1976's Nightbirds could have been a stone disaster. It's not; in fact, it's far from it. The trio of Nona Hendryx, Patti Labelle, and Sarah Dash assembled a crew of kickin' producers with real pedigrees: Kenny Gamble and Leon Huff, Lenny Kravitz (is there a bigger retro boss?), Kit Lambert and Hendryx. The one nod to the kids (who probably won't get it anyway) is the Wyclef Jean-produced leavin' jam "Rollout," on which he appears (why on earth he felt he needed to place AutoTune on a Labelle record is beyond imagination -- it's irritating to vintage fans). That isn't to say this is a set of old-school sounding production, but more that the updated sound feels more organic and warm, and thank God the disc is not loaded with guest appearances or ham-fisted duets. Some cuts are a little obvious, such as "The Truth Will Set You Free," with its 1970s anthemic socio-political "us" vibe -- but if 2008 isn't the year of African-American empowerment, with Barack Obama being elected the 44th president of the United States, then there isn't one. Better are the drenched-in-strings soul groovers like "Candlelight" that opens the set. When the backing vocals kick in on the chorus and bridge, it's like it's 32 years ago! Yes, really. "Dear Rosa," with Ronnie Drayton on his subtle but funky wah-wah guitar phrasing, sets up a powerful anthemic tribute to Rosa Parks. Add that B-3 and it sends chills. Dexter Wansel arranged "Tears for the World," that features amazing vocal performances even if its lyrics leave a bit to be desired. The closing cut is Cole Porter's "Miss Otis Regrets," produced by Lambert. This is a surprise, because it was actually recorded 38 years ago and features performances by the late Keith Moon on drums and the late Nicky Hopkins on piano! That said, it sounds seamless when juxtaposed with the other tracks on the set. Vocally, this trio hasn't slipped a notch -- particularly Labelle. Indeed Back to Now exceeds expectations and will no doubt satisfy most fans of the trio's fantasies and hopefully -- thanks to the ultra sleek "Rollout" -- hook a few new ones to boot. ~ Thom Jurek, All Music Guide
All Music Guide Review
Back to Now Track Listing
Back to Now Notes
The result of what Nona Hendryx likes to call the trio’s "re-ignition" is a bold new album which embodies everything Labelle has ever been. With the group’s ever-distinct harmonies and high octane vocals, LaBelle, Hendryx and Dash bring something new and fresh to their latest work. Producers Lenny Kravitz, Gamble & Huff and Wyclef bring out the best in the trio. "I had just seen Kenny and Leon receiving their induction into The Rock & Roll Hall Of Fame and Pat performed "If You Don’t Know Me By Now," recalls Sarah. "I called Kenny and asked if he would meet with us." Nona brought Kravitz to the table: "We're friends and admirers of each other's work. We talked to him about the idea of us getting together and invited him to a session. He showed up that day at 5:00 and we haven't stopped working since."
"Working with Lenny was a blast!" says Patti. "He played every instrument, even sang all the leads on the tracks. Kenny and Leon are like brothers to me. I trust them and they let me take credit for being myself." Notes Nona, "Working with both Lenny and Kenny & Leon was meant to be. I really think the music led us to the people who would understand the new Labelle credo 'back to now'. The past and the present, existing in the now!" Adds Sarah, "Lenny reminds me of the newness of today. I learned a lot from him. I really saw his vision for us, and Kenny and Leon took the old and brought us right up to today."
The songs are a perfect fit: "Without You," began as an original idea from Nona: "The initial impetus for writing the song was as an ode to Labelle. You could hear it as a traditional love song or as the sentiment behind our re-ignition as a group." Kenny Gamble "had an idea for another section for the song," says Nona, while Patti added her input to the song ("from the first time I heard it, I loved it"). The final result: a dramatic, intense ballad in the best tradition of Labelle, building and building with soaring vocals.
Credits of Back to Now
- Carlos DeLos Santos Sánchez
- Engineer
- Kiana "Kiki" Sullivan
- Assistant Engineer, Mixing Assistant
- Brent White
- Flute, Sax (Baritone), Trombone
- Alexis Berthelot
- Assistant Engineer
- Christophe Deneulin
- Sax (Alto)
- Zuri Edwards
- Executive Producer
- Michael Fountain
- Assistant Engineer
- Mikal Hameed
- Prop Stylist
- Byl Holte
- Author
- Wilson Jaramillo
- Guitar
- Sebastien Llado
- Trombone
- Warren MacRae
- Guitar (Bass)
- Rashida Minnett
- French Horn
- Lise Orivel
- Viola
- Christophe Panzani
- Sax (Tenor)
- Craig Ross
- Guitar
- Nadine Vendryes
- Make-Up
- Travolta Williams
- Hair Stylist
- Eddie Martinez
- Guitar
- Warren McRae
- Guitar (Bass)
- Hubert Salou
- String Engineer, Horn Engineer
- Tommy Uzzo
- Engineer
- Howie Weinberg
- Mastering
- Craig White
- Engineer, Mixing
- Vicki Wickham
- Executive Producer
- Don Wyatt
- Piano, Fender Rhodes
- Harold Todd
- Flute, Sax (Baritone), Sax (Tenor)
- Jean-Philippe Audin
- Cello, ?
- Mitchell Cohen
- A&R
- Wyclef Jean
- Guitar, Vocals, Producer
- Keith Benson
- Drums
- Charles Parker
- Violin
- Donna Ranieri
- Photo Production
- Hollis King
- Art Direction
- Chris Theis
- Mixing
- Jerry Duplessis
- Bass, Producer
- Olga Konopelsky
- Violin
- Emma Kummrow
- Violin
- Igor Szwec
- Violin
- Gregory Teperman
- Violin
- Mark Ward
- Cello
- Herve Cavelier
- Violin
- Darrett Adkins
- Cello
- Jeanne Lancien
- Violin
- Patrice Mondon
- Violin
- Conway Kuo
- Violin
- Derrick Rutledge
- Make-Up
- Cyrille Taillandier
- Digital Editing
- Keith Fluitt
- Vocals (Background)
- Kwaku Alston
- Photography
- Nina Cottman
- Viola
- John Newcott
- Release Coordinator
- Françoise Gneri
- Viola
- John Stanley
- Keyboards, Vocals (Background)
- Arden Altino
- Keyboards, Programming
- Sylvia Grieser
- Costume Design
- Sylvain Gontard
- Trumpet, Flugelhorn
- Andy Kman
- Release Coordinator
- Lisa Hansen
- Release Coordinator
- Jessica Harley
- Production Coordination
- Kevin Hahn
- Overdub Engineer
- Denine LaBat
- Production Coordination
- Sachico Asano
- Design
- Keyontia Hawkins
- Vocals (Background)
- Norma Harris Gordon
- Hair Stylist
- Mike A. Jarosz
- Trumpet
- Ken Reynolds
- Executive Producer
- Evelyn Morgan
- A&R
- Doug DeHays
- Trombone, Sax (Baritone)
- Amy Merxbauer
- Production Coordination
- Luigi Mazzocchi
- Violin
- Nona Hendryx
- Producer, Group Member
- Sarah Dash
- Group Member
- Nicky Hopkins
- Piano
- Keith Moon
- Drums
- Dexter Wansel
- Arranger, String Conductor, Horn Conductor
- Davis A. Barnett
- Viola
- Randy Bowland
- Guitar
- Karen Brunon
- Violin
- Jay Davidson
- Flute, Sax (Tenor)
- Lisa Ellis
- Production Coordination
- Kenny Gamble
- Producer, Mixing
- Doc Gibbs
- Percussion
- Derek Green
- Transposition
- Dennis Harris
- Guitar
- Henry Hirsch
- Piano, Mixing, Engineer
- Leon Huff
- Piano, Keyboards, Producer
- Kevin Johnson
- Drums
- Bill Jolly
- Arranger, String Conductor
- Joseph Joubert
- Piano, Keyboards
- Kit Lambert
- Arranger, Producer
- Lenny Kravitz
- Bass, Guitar, Drums, Tambourine, Clavinet, Handclapping, Producer, Vibraslap, Horn Arrangements, String Arrangements, Mixing, Rhythm Arrangements, Cabasa
- Patti LaBelle
- Author, Group Member














Plus