Live at Shea Stadium
10/07/2008 | Epic
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CD
$9.99LIVE AT SHEA STADIUM (SNYR)
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CD
$38.99LIVE AT SHEA STADIUM (JPN)
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CD
$47.99LIVE AT SHEA STADIUM (JPN)
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LP
$23.99LIVE AT SHEA STADIUM
Lyrics from Live at Shea Stadium
All Music Guide Review
In Clash lore, the band's stint as the opening act for the Who's farewell tour in 1982 is where the band had stardom in its hand and dropped it on the floor. That's how Joe Strummer phrased it in retrospect, but in 1982 the pairing was seen as a rock cultural clash, with the Who's audience bristling at the punks, and the punks not quite being comfortable operating on a larger scale -- a suspicion somewhat proven by the band's implosion within months of the Shea Stadium gig. Given all the stories about how poorly received this tour with the Who was -- that the Clash were routinely greeted by boos as they hopped from stadium to stadium across the U.S. -- it comes as a mild surprise that this unearthed recording of the band's opening set at Shea Stadium isn't bad at all. There were some signs prior to this 2008 archival release that this particular gig was pretty good -- some of the cuts surfaced on the posthumous live 1999 comp From Here to Eternity and the video to "Should I Stay or Should I Go" came from this gig -- but all the decades of disastrous myths help turn Live at Shea Stadium into a pleasant surprise. That doesn't mean that this is a definitive portrait of the Clash live, or even that it captures the band at their best, but it's fascinating to hear how they pitched their set to the Who's audience, only slowing down for the reggae of "Armagideon Time" and "The Guns of Brixton," but otherwise sticking with high-octane, breathlessly paced rock & roll -- the kind of set designed to placate a stadium full of classic rock fans, or at least keep them buying beer instead of throwing it. As a historical document, it's a worthy one. It not only illustrates that the Clash did turn in some strong performances on this often disaster-plagued tour, but it gives us the first officially released Clash concert instead of the re-creation of From Here to Eternity. And if it's not all terrific -- strangely, the Combat Rock songs can sometimes sound stiff, particularly "Rock the Casbah" -- when the group clicks, as they do on a closing stretch that includes "Career Opportunities," "Clampdown," "Should I Stay or Should I Go," and a furious "I Fought the Law," they sound like the greatest band on earth and a sure bet to have blown the Who off the stage. ~ Stephen Thomas Erlewine, All Music Guide
Live at Shea Stadium Track Listing
Live at Shea Stadium Notes
Recorded at New York’s Shea Stadium in 1982, Live at Shea Stadium captures the band at the peak of its
powers and on devastating form. Bristling with energy and attitude, Live at Shea Stadium is destined to
feature alongside James Brown at the Apollo, The Who at Leeds and Johnny Cash at Folsom Prison as one
of the greatest live recordings of all time!
The Clash, opening for The Who on their farewell tour of the US, played two nights at the legendary Shea Stadium
(12th & 13th Oct 1982). They had recently released the Combat Rock album, and the singles “Rock The Casbah” and
“Should I Stay Or Should I Go” were enjoying mass audiences via MTV and radio airplay. Despite being the support
act, the New York Post reported “there were as many Clash fans on those nights as Who fans.”
Recorded by Glyn Johns, the album features the second night’s performance in its entirety and shows the band at
a fascinating and pivotal point in their career. They had risen from punk agitators to arena superstars and would
break up less than a year later. One of the few remaining unreleased Clash treasures, the recordings have long
been sought after by fans and were unearthed by the late Joe Strummer while packing for a move.
This is a legendary Clash concert – released in a historic year for Shea Stadium. More than an album, it’s an event.
Credits of Live at Shea Stadium
- Tim Young
- Mastering
- Bob Gruen
- Liner Notes, Photography, Cover Photo
- Joe Stevens
- Photography
- Mark Frith
- Mixing, Tape Restoration
- Tricia Ronane
- Management
- David Bates
- Mixing, Tape Restoration
- Glyn Johns
- Engineer
- Joe Strummer
- Arranger

















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