Joshua Redman's 2007 album Back East rightfully drew critical comparisons to Sonny Rollins' legendary trio date Way Out West, given everything from the mirror image implication in the title to the manner in which Redman offered the material on the set. The presence of Rollins looms large over Compass as well. Once more, Redman explores a piano-less trio, though there are some quartet and quintet numbers here. Redman is accompanied by longtime friends and collaborators, including drummers Brian Blade and Gregory Hutchinson, and bassists Larry Grenadier and Reuben Rogers. The material is with one exception -- a compelling reworking of Beethoven's Moonlight Sonata (here known simply as "Moonlight") -- all composed by either Redman or the group. The tunes include some beautiful ballads, such as "Little Ditty," some smoking boppers like "Round Reuben" and "Hutchhiker's Guide," and a beautiful Indo-Asian-kissed number called "Ghost." There is some stellar communication in this band -- check "March" for a single but not isolated example of the intricacies of deep listening and a generous sense of flow. The doubling of rhythm players on the quintet sides doesn't bowl the listener over -- though it could and is hinted at in places -- but rather serves the melody and the arching sense of loose harmonics Redman places at their disposal, and uses time as a device to be toyed with rather than turned in on itself in the service of pure blowing. That said, this is one of the great ironies here, because Redman is looser and more relaxed on Compass than he has ever been on a studio recording. His usual overly studied and cautious approach is largely left at the threshold, even as his now trademark sense of melodic restraint is evident on "Faraway." This serves Redman well, and also offers another signpost to Rollins' influence, because it seems that on Compass, Redman has finally learned the greatest trick from his mentor -- to walk out on the wire with his horn more, trust the fluid abilities of his incredible rhythm section(s), and let his inner sense of song and freedom take precedence over his already well-established sense of discipline. ~ Thom Jurek, All Music Guide
All Music Guide Review
Compass Track Listing
Compass Notes
The saxophonist recorded Compass during three days in March 2008 at Avatar Studio in New York City, and it was a bracing leap into the unknown for him. As Redman admits, with a laugh, “Sometimes I’m guilty, with my recordings, of having too clear a plan. This time I said, ‘Hey, I just have to let go.’ If I try to plan it, it’s not going to work, so I’ll just think about some tunes that we could do with everybody together, we’ll get in the studio and see how it goes. There was a real kind of release for me with this project, an embrace of the unfamiliar.”
Redman conceived the album as he toured throughout 2007 in support of Back East, which the New York Times called “the most agile and personal record of his career,” one that pays homage to his forebears, in particular Sonny Rollins, while displaying Redman’s own considerable gifts as composer and arranger. As Redman explains, “There are some originals on Back East, but a lot of the tracks were my arrangements of other people’s tunes. So once we got out there and started playing as a trio, I was inspired to write a lot more. Initially, my idea was to just find one trio, one drummer and one bassist, and really try to focus in on that rhythm section, on one group sound. I’d record some of these tunes and that would be it. But as I continued to tour, I had the opportunity to play over an extended period of time with a lot of different rhythm section combinations. At a certain point, I thought it might be interesting to mix it up a bit with this session: take two of my favorite bassists and two of my favorite drummers and try a ‘musical chairs’ kind of thing—paring each bassist with each drummer and recording in each of the four possible bass-drum combinations.”
Credits of Compass
- Ronen Givony
- Editorial Coordinator
- Reuben Rogers
- Bass
- Karina Benznicki
- Production Supervisor
- Michael "Mick" Wilson
- Photography
- Eli Cane
- Production Coordination
- Rick Kwan
- Mixing Assistant
- Justin Gerrish
- Assistant Engineer
- John Gall
- Design
- Joshua Redman
- Sax (Soprano), Sax (Tenor), Producer, Editing
- Greg Calbi
- Mastering
- James Farber
- Producer, Engineer, Mixing
- Larry Grenadier
- Bass
- Gregory Hutchinson
- Drums














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