If the Brakes were the Pixies (a band that sounds very similar), Touchdown would be their Doolittle -- that is, a slightly more polished and accessible album than their last, showing the band tightening their reigns slightly and turning in some of their tightest, cleanest work to date. It's a genuine alt pop album, one that finds the former and current members of British Sea Power, Electric Soft Parade, and the Tenderfoot more masterful than ever at churning out opaque, punchy melodies anchored by dry wit. College rock crossover potential seems evident, but, while Touchdown looks to appeal to a broader audience than its predecessors, that's not to say that things are overly toned down or have lost their edge. Things have simply been made less convoluted by trimming off the extra fat. Brakes, like always, exercise a wide variety of styles, and show off their ability to change their dynamic range drastically from one song to the next. "Red Tag" finds the group paying tribute to Radiohead, but in a much more furious punk rock fashion, "Eternal Refrain" is a sweet little country slice about the circular nature of life, and "Leaving England" is a relieving day dreamy space ballad ends the album. But as solid as these moments are, they're a little generic sounding in the overall context. The heart of Brakes lies in their true jams: immediate jingle-jangle pop songs with big, chunky choruses. And boy, there are a lot of them. ~ Jason Lymangrover, All Music Guide
Touchdown
04/21/2009 | Fat Cat
All Music Guide Review
Touchdown Track Listing
Touchdown Notes
"We are fundamentally responsible for the election of Barack Obama as President of the United States of America, yes," say Brakes. "If it hadn't been for our 5-second epic song "Cheney" (lyrics: "Cheney, Cheney, Cheney, stop being such a Dick"), then it is without a doubt that McCain would've won, and died, and Sarah Palin would have become President and Ruler of the Known Universe by April 2009. We would've been releasing our new album "Touchdown" into a world in the grip of a nuclear winter, with no electricity for people to listen to the CD, and no Internet for them to download it from. We would still have toured it, though," they all agree, nodding their heads, "on acoustic guitars and a drum kit pushed in shopping trolleys. We have built up a live reputation over the past 6 years and nearly 1000 gigs. Yes, even in a world destroyed by the total collapse of reason, we would've toured our music."
In November 2007, after 5 years of near constant touring, Brakes said "We are hellishly close to collapse from nervous exhaustion," and despite that, went to a small barn in Oxfordshire, and spent a week waking up beside each other on the floor in -7c temperatures, to spend their waking hours recording new tracks. They finished the week with a gig at bath Moles club and then shook hands and promised themselves some time off.
Then, their new label Fat Cat booked them into the Glasgow super studio ¬Chem 19, with The Delgados' Paul Savage at the helm. They recorded and mixed the album in a month, then flew to upstate New York to master it with the legend Alan Douches.
"It's our best yet," say Brakes, "we're really happy with the way it came together and the sounds that were caught in Chem 19," say Brakes, "Touchdown is the fucking zenith of civilisation, it will make your jaw drop further than the Dow Jones in 2008, this album fucking shreds like an Enron paper shredder, it is A-fucking-stounding, yeah."
Credits of Touchdown
- Paul Savage
- Engineer, Mixing
- Thomas White
- Guitar, Vocals (Background), Drums
- Marc Beatty
- Guitar (Bass)
- Eamon Hamilton
- Guitar (Acoustic), Vocals
- Alex White
- Guitar, Drums, Keyboards, Percussion
- Jamie Savage
- Assistant
- Alan Douches
- Mastering















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