The lack of releases and exposure from Peter Kruder and Richard Dorfmeister during the 2000s may not have been entirely a bad thing; granted, their early remixes and productions as Kruder & Dorfmeister were landmarks in trip-hop, but if they'd continued on a similar release schedule, they might have gone the way of countless other acts trying (and failing) to avoid the forest-for-the-trees issues that plagued both producers and listeners. Dorfmeister's Tosca project with Rupert Huber remained relatively consistent, although without a full-length of new productions in quite a few years. No Hassle, then, arrived at just the right time. The sound isn't a surprise at all, with watery grooves, soft keyboards, and, early on, an inconstant use of backbeat. Midway through, however, the record finally gets in a few straight-ahead productions (including "Oysters in May"), but with all the immaculate sound and studied arrangements that fans would expect. Dorfmeister and Huber occasionally hark back to the haunted detachment of much classic IDM and trip-hop during the '90s, but as much of the record rests with the smoothest of jazz-fusion from the late '70s and early '80s. Actually a two-disc program, No Hassle includes a full disc of live material, recorded at the Ars Electronica festival. ~ John Bush, All Music Guide
No Hassle
04/28/2009 | K7
All Music Guide Review
No Hassle Track Listing
No Hassle Notes
No Hassle is Tosca's fifth studio album, and their most beautiful musical statement so far. A luxurious tapestry of analogue and digital sounds, submerged samples and live instruments, it evolves and expands into an hour-long ambient symphony. The title reflects not only the duo's laidback approach to making music but their whole philosophy of life.
'It's our personal reaction to everything,' says Richard Dorfmeister. 'To all things that are pressuring you from outside, or internally, from every angle. It's sort of the ideal position to achieve, and it's the same idea behind the music: to achieve an hour where you feel hassle free.'
No Hassle is all about contemplation and concentration, an introspective journey into inner space. It was conceived as a single seamless sea of sound, deeply layered with liquid rhythms and tidal melodies. Warm and enveloping, each leisurely track flows gently into the next, a musical ocean moving in slow motion. This is an album to plunge deeply into and get lost inside.
'We wanted to make the ultimate one hour of music where you don't feel like you have to skip to the next track,' explains Rupert Huber. 'This is what we've been working on all these years. An album to invest one hour of your attention and concentration, almost like an audio massage.'
In a bold break with Tosca tradition, No Hassle is an almost entirely instrumental album featuring no main vocal tracks. It does contain a few sampled voices among its fluid ambient soundscapes, but nothing that fits a conventional song structure. As the duo explain, this was a deliberate stripping down process. Less is more.
'This time we decided not to have any lead vocals,' Richard explains, 'but just to take some fragments of sounds that we liked. It's a very back-to-basics, instrumental approach. The more we listened to normal vocal recordings, the more we didn't like them. This reduced vocal idea seems to last longer for us.'
Credits of No Hassle
- Vera Böhnisch
- Vocals
- A.C. Kupper
- Cover Design
- Julie McCarthy
- Vocals
- Richard Dorfmeister
- Producer
- Rupert Huber
- Producer
- Markus Rössle
- Photography
- Klaus Dahmen
- Artwork













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