On their debut, the dB's combined a reverence for British pop and arty, post-punk leanings that alternate between minimalism and a love of quirky embellishment, odd sounds, and unexpected twists; Stands for Decibels is clearly a collegiate pop experiment, but rarely is experimentation so enjoyable and irresistibly catchy. Singing and songwriting duties are shared equally by Chris Stamey and Peter Holsapple -- Stamey, more quirky and psychedelic-leaning with a winsome, pure-pop whine, is nicely balanced by Holsapple's more earthy drawl and straightforward approach. The album stands not only as a landmark power-pop album, but also as a prototype for much of the Southern jangle that would follow. [Stands for Decibels remained criminally unavailable in the U.S. for years. When IRS reissued it on CD in 1989, Holsapple's "Judy" was added as a bonus track.] ~ Chris Woodstra, All Music Guide
Stands for Decibels
01/01/1981
All Music Guide Review
Stands for Decibels Track Listing
Credits of Stands for Decibels
- Will Rigby
- Drums, ?
- Martin Rushent
- Mixing
- Stephanie Chernikowski
- Photography
- Victoria Deveraux
- Paintings, Photo Tinting
- Mike Ewasko
- Engineer
- Malcolm Garret
- Layout Design, Layout Typography, Typography
- Chris Stamey
- Guitar, Vocals, ?, Producer
- Roger Bechirian
- Producer, Engineer
- Alan Betrock
- Producer
- Mitch Easter
- Mixing
- Gene Holder
- Bass, Bass (Electric)
- Peter Holsapple
- Organ, Guitar, Vocals, Liner Notes
- Ted Jensen
- Digital Remastering
- Scott Litt
- Mixing
- The dB's
- Producer, Main Performer
- Johnny Guarnieri
- Preparation for Release












Plus