Speed Racer

Speed Racer is the film equivalent of Space Mountain at Disneyland. It's fast, furious and fun for the whole family. Also like Space Mountain, it's a tripped-out roller coaster that never slows down. The film sets a new standard for computer generated special effects. Directed by The Matrix magicians, The Wachowski Brothers (Andy and Larry), the film is a visual assault. The racing some of the most vibrant and colorful CGI landscapes ever committed to film. Just watch the Mt. Fuji sequence or the final showdown at the end for proof. The Wachowski's definitely bring the classic cartoon to life in vibrant 21st century digital Technicolor.

In addition, the plot works too, a rarity for a big budget sci-fi, action flick like this. The movie centers on the Racer Family, the only honest clan in the high speed racing game. There's Mom (Susan Sarandon), Pops (John Goodman), Spritle, Sparky and Chim Chim the Monkey, who steals his fair share of scenes. Then there's the film's namesake Speed. He's been obsessed with racing since his childhood, looking up to his older brother Rex (Scott Porter), who died in a mysterious crash after allegedly joining racing's dark side. So Speed, a very believable and passionate Emile Hirsch, follows in big bro's footsteps, but he burns more track than any other racer proceeding him. He's so good that he garners the attention of a corporate conglomerate leader named Royalton, the ever-evil Roger Allam. Royalton makes him a seemingly irrefutable offer, but Speed turns the evil empire down. Then he has to fight his way back up. It's a simple plot, but it's all that's necessary, because the action fuels this film.

The movie is pure, kinetic energy. Even the sequences of Speed as a kid flow quickly. The film's got a gorgeous '50s throwback look and the bright colors and pastels come to life on the screen. The art direction and atmosphere are top notch, even in the scenes where the Racer family is just eating pancakes at home. Yet, there's nothing compared to the adrenaline rush of the race sequences. It's like entering a video game world with no seatbelt.

Goodman holds it down as Pops and Sarandon's an inspiring mom. Hirsch pulls off Speed with equal aplomb. The monkey often steals the show and he and Spritle's antics consist of 90 percent of the comic relief. In addition, Christina Ricci plays Speed's love interest Trixie, and her cute sassiness makes for a commendable romantic foil for Speed.

Yes, it's a kids film, and you'll hear that complaint ad nauseum from film snobs. However, we all had to become cinephiles somewhere. And what better place to start than a high octane ride like this? Plus, you know how many adults are in line at Space Mountain right now? Too many.

—Rick Florino
05.09.08

The Wachowski Brothers' CG-fueled futuristic adventure Speed Racer delivers on every promise. An adaptation of the '60s Japanese cartoon that was among the first anime to hit the States, the movie follows through on every element that endeared the furiously high-strung show to its audience, and offers giant, hypnotically strobing neon signs screaming "FUN! FUN! FUN!" to all viewers who go to the movies looking for a good time.
You don't really need to have seen the original series to get what they were going for here -- catching a parody of it on Family Guy or The Simpsons imparts the basic idea. Speed Racer is about shows of over-the-top intensity: screams and gasps, rapid-fire dialogue, and more highest-of-the-high-stakes good vs. evil intrigue than the world of car racing could conceivably house outside this flashy fantasy universe. Even without the film's other successes, the Wachowskis' rendering of that Day-Glo universe is reason enough for fans of enjoy-the-ride cinema to check it out. It's set in the original series' era of around 1967 -- if 1967 were the future. And the awesomely absurd melted-candy whirlwind that makes up every scene's art direction is just the beginning (think Brady Bunch sets on acid); the movie's more fantastical locales make the phrase "eye candy" sound like weak sauce. Speed's trip to a plush-and-plastic corporate R&D facility is like a zillion-dollar science-lab version of Willy Wonka's chocolate factory, and that doesn't even touch on the races -- of which there are a few. They're set on tracks like space-age, black-lit roller coasters and employ entertaining and remarkably consistent reinventions of physics.
It's that epic, candy-coated-PCP intensity that really packages the whole film up as a faithful adaptation, though. The Wachowskis dreamed up an insane plot that could support the fantastically ridiculous fierceness that's so inherent to the franchise's style, balancing the dramatics stroke for stroke with funny, well-paced, and very family-friendly humor. This was, after all, a kids' show -- and Speed Racer is a PG movie. Fans who fondly remember Speed's race-track rivals flying off the road into violent, unforgiving explosions may be disappointed here to see most casualties fleeing their flaming wreckage in escape pods. It's a necessary change to make the film consumable for today's kids (or, maybe more accurately, today's parents), but younger viewers still might drop out before the end -- two hours and 15 minutes is a long time for a sugar high. There's a fair amount of wordy exposition that can seem like a bit much, but the script is keen on spelling out the things that make all the emotional bombast so necessary. They're simple and loudly broadcasted ideas (Family is important! Racing is awesome!), but Speed Racer wouldn't be Speed Racer if there weren't hurricanes of emotion and looks of desperate determination flying around -- both of which, by the way, star Emile Hirsch pulls of tremendously, especially with nothing but a green screen for inspiration. Of course, it doesn't hurt that Hirsch, with his Tiger Beat doe eyes and heart-shaped face, looks like an anime character. Christina Ricci, who plays his helicopter-flying girlfriend, Trixie, has been described this way for years, and the rest of the cast, who otherwise look like normal humans, clearly took extremely nuanced direction to capture that old-school anime style. If you look carefully, you might notice scenes of dialogue where actors hold a fixed, intense expression in their eyes as they articulate wildly with their mouth -- recalling the feel of hand-drawn animation, in which artists would animate only a character's mouth to save money. Likewise, look for the way Paulie Litt strikes lighting-fast, freeze-frame poses as little brother Spritle, or listen for the way Matthew Fox evokes the baritone gravitas of dubbed kung fu villains as the mysterious Racer X. The film is also littered with deliberate misuses of parallax, evoking the feeling of 2-D animation with very 3-D elements. It's impressive that, with everything else about the movie that goes bounding calculatedly over the top, the Wachowski's kept this element reeled in. But then, they had to pick something. ~ Cammila Albertson, All Movie Guide