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    The opening sequence of Zodiac -- a man stalking and shooting a couple parked in a lover's lane, all set to the strains of Donovan's "Hurdy Gurdy Man" -- offers everything people have come to expect from director David Fincher: stylish cinematography, a blast of brutal violence, and editing just unconventional enough to keep the viewer simultaneously disturbed and riveted. The style is very familiar to those who appreciated Seven for its nightmarish neo-noir sensibilities, or Panic Room for its ...more