ArtistDirect News
Slayyyter Drops New Single "brand new chanel$" as Sold-Out World Tour Kicks Off
American pop‑dance artist Slayyyter released the single “brand new chanel$” on July 31 2026, the same day a self‑directed music video premiered. The track was first heard live during the opening night of the artist’s sold‑out WOR$T GIRL IN THE WORLD TOUR, which began this week with three shows in her hometown of St. Louis.
The new song turns heartbreak into a high‑drama pop anthem. Lyrics describe late‑night phone calls, after‑party scenes, and a fixation on designer fashion as the narrator wrestles with emotional attachment and the relief of moving on. The accompanying video, produced by James Tresco, revisits the house used in the 2025 video for “BEAT UP CHANEL$.” It echoes the fireworks moment from that clip while offering an inverted visual reference to the cover of Slayyyter’s third studio album, WOR$T GIRL IN AMERICA.
WOR$T GIRL IN AMERICA, released March 27 2026 through Columbia Records, debuted at No. 1 on Billboard’s Top Dance Albums chart and entered the Billboard 200 at No. 22. The 14‑track album sold 27,000 album‑equivalent units in its first week, marking the artist’s highest‑charting release. Critics praised the record for its blend of defiance and introspection, citing the influence of Slayyyter’s St. Louis upbringing. The album has appeared on “Best of 2026” lists from Rolling Stone, Pitchfork, Billboard, Variety, and The FADER.
The tour, announced March 16 2026, is fully sold out. It launched in St. Louis and will travel to major cities including Los Angeles, New York, Toronto, Sydney, Melbourne, São Paulo, and Paris, before concluding in London on November 5. Pearly Drops serves as the opening act across North America and the UK (except St. Louis), while Kalika joins the European leg. In addition to the tour, Slayyyter will perform at Lollapalooza, Reading & Leeds, and All Things Go D.C. later in the year.
The single’s release aligns with the artist’s broader promotional strategy. Fans first heard the track during the tour’s opening night, and the song became available for streaming on the same day it was released digitally. The video’s self‑directed approach and thematic continuity with earlier work reinforce Slayyyter’s reputation for visual storytelling. The album’s chart success and the tour’s sold‑out status demonstrate the artist’s growing commercial momentum in the pop‑dance market.
As the tour progresses, Slayyyter continues to expand her international presence. The schedule includes stops in South America, Europe, and the United States, with festival appearances that broaden her audience reach. The combination of a chart‑topping album, a new single, and a global tour positions Slayyyter as a significant figure in contemporary pop‑dance, reflecting both her artistic evolution and the industry’s appetite for high‑energy, visually driven releases.
The current situation is that Slayyyter’s new single is available for streaming and purchase, the music video has been released, and the WOR$T GIRL IN THE WORLD TOUR remains sold out as it moves through its extensive itinerary. The artist’s recent achievements—album chart performance, critical acclaim, and a successful tour—underscore her continued relevance in the music industry.
The new song turns heartbreak into a high‑drama pop anthem. Lyrics describe late‑night phone calls, after‑party scenes, and a fixation on designer fashion as the narrator wrestles with emotional attachment and the relief of moving on. The accompanying video, produced by James Tresco, revisits the house used in the 2025 video for “BEAT UP CHANEL$.” It echoes the fireworks moment from that clip while offering an inverted visual reference to the cover of Slayyyter’s third studio album, WOR$T GIRL IN AMERICA.
WOR$T GIRL IN AMERICA, released March 27 2026 through Columbia Records, debuted at No. 1 on Billboard’s Top Dance Albums chart and entered the Billboard 200 at No. 22. The 14‑track album sold 27,000 album‑equivalent units in its first week, marking the artist’s highest‑charting release. Critics praised the record for its blend of defiance and introspection, citing the influence of Slayyyter’s St. Louis upbringing. The album has appeared on “Best of 2026” lists from Rolling Stone, Pitchfork, Billboard, Variety, and The FADER.
The tour, announced March 16 2026, is fully sold out. It launched in St. Louis and will travel to major cities including Los Angeles, New York, Toronto, Sydney, Melbourne, São Paulo, and Paris, before concluding in London on November 5. Pearly Drops serves as the opening act across North America and the UK (except St. Louis), while Kalika joins the European leg. In addition to the tour, Slayyyter will perform at Lollapalooza, Reading & Leeds, and All Things Go D.C. later in the year.
The single’s release aligns with the artist’s broader promotional strategy. Fans first heard the track during the tour’s opening night, and the song became available for streaming on the same day it was released digitally. The video’s self‑directed approach and thematic continuity with earlier work reinforce Slayyyter’s reputation for visual storytelling. The album’s chart success and the tour’s sold‑out status demonstrate the artist’s growing commercial momentum in the pop‑dance market.
As the tour progresses, Slayyyter continues to expand her international presence. The schedule includes stops in South America, Europe, and the United States, with festival appearances that broaden her audience reach. The combination of a chart‑topping album, a new single, and a global tour positions Slayyyter as a significant figure in contemporary pop‑dance, reflecting both her artistic evolution and the industry’s appetite for high‑energy, visually driven releases.
The current situation is that Slayyyter’s new single is available for streaming and purchase, the music video has been released, and the WOR$T GIRL IN THE WORLD TOUR remains sold out as it moves through its extensive itinerary. The artist’s recent achievements—album chart performance, critical acclaim, and a successful tour—underscore her continued relevance in the music industry.