Independent musicians are increasingly turning to sync licensing as a primary revenue source, with ten platforms standing out for their reach and services.

Sync placements—where a song is paired with film, television, advertising, video games or online content—can expose an artist to millions of new listeners and generate licensing fees and performance royalties. Unlike streaming, which rewards volume, sync rewards a track’s fit with a specific project.

Songtradr, founded in 2015, once held the title of the world’s largest B2B music licensing platform. Its non‑exclusive model let artists keep full ownership of their copyrights while pitching to studios and brands. In June 2026, the company announced it would close its marketplace and shift focus to its sister platform, Bandcamp. Artists who had catalogues on Songtradr were advised to migrate their assets and review royalty withdrawal procedures.

Music Vine and Musicbed are two of the most respected curated services. Music Vine, based in Leeds, UK, offers a hand‑picked catalogue of high‑quality, human‑made tracks for filmmakers and advertisers. Musicbed, founded in 2010, specializes in premium, artist‑driven music and also provides custom composition and music‑supervision services for high‑profile projects.

Sentric Music and Featherstone Music combine publishing administration with sync pitching. Sentric, established in 2006, runs an in‑house sync team that works with artists who control both master and publishing rights. Featherstone, headquartered in London, focuses on electronic music and has secured placements for labels such as NoCopyrightSounds and for brands like Apple and Netflix.

Marmoset and Audiosocket offer boutique and broad‑reach options, respectively. Marmoset, founded in Portland in 2010, licenses music for film, TV, advertising and branded content while also producing custom scores. Audiosocket, launched in 2007, operates a searchable licensing platform and its premium ASX Music division, which actively pitches a curated roster to major brands.

Music Gateway and A&G Sync provide integrated services for emerging artists. Music Gateway, a UK‑based platform, allows creators to submit music for sync while retaining 100 % ownership of masters and publishing rights. A&G Sync, based in London, combines music supervision, publishing and bespoke composition, and has a track record of placements in film, television and video games.

La Crème, founded in 2022 with offices in Paris and New York, is a boutique agency that handles sync licensing, publishing and bespoke composition for a curated roster of independent artists. The firm targets premium placements across film, television, advertising and gaming.

Artists looking to secure sync placements should prepare broadcast‑quality masters, instrumental versions, clear metadata, and a professional electronic press kit. Registration with a performing‑rights organization is essential for collecting performance royalties.

The sync licensing landscape in 2026 offers independent musicians multiple pathways to exposure and income. While no platform guarantees placements, the breadth of services—from curated catalogs to publishing administration—provides artists with the tools needed to navigate the evolving music‑industry economy.